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In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āĻŽā§ƒāĻ¤ā§āϝ⧁āĻžā§āϜāϝāĻŧ | Mrityunjay Poem by Rabindranath Tagore Lyrics in Bengali

  1. Hridoy
    Hridoy
    Added an answer on April 6, 2021 at 2:53 am

    āĻŽā§ƒāĻ¤ā§āϝ⧁āĻžā§āϜāϝāĻŧ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ - āĻĒāϰāĻŋāĻļ⧇āώ āĻĻā§‚āϰ āĻšāϤ⧇ āϭ⧇āĻŦ⧇āĻ›āĻŋāύ⧁ āĻŽāύ⧇ āĻĻ⧁āĻ°ā§āϜ⧟ āύāĻŋāĻ°ā§āĻĻ⧟ āϤ⧁āĻŽāĻŋ, āĻ•āĻžāρāĻĒ⧇ āĻĒ⧃āĻĨā§āĻŦā§€ āϤ⧋āĻŽāĻžāϰ āĻļāĻžāϏāύ⧇āĨ¤ āϤ⧁āĻŽāĻŋ āĻŦāĻŋāĻ­ā§€āώāĻŋāĻ•āĻž, āĻĻ⧁āσāĻ–ā§€āϰ āĻŦāĻŋāĻĻā§€āĻ°ā§āĻŖ āĻŦāĻ•ā§āώ⧇ āĻœā§āĻŦāϞ⧇ āϤāĻŦ āϞ⧇āϞāĻŋāĻšāĻžāύ āĻļāĻŋāĻ–āĻžāĨ¤ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻšāĻžāϤ⧇āϰ āĻļ⧇āϞ āωāϠ⧇āϛ⧇ āĻā§œā§‡āϰ āĻŽā§‡āϘ-āĻĒāĻžāύ⧇, āϏ⧇āĻĨāĻž āĻšāϤ⧇ āĻŦāĻœā§āϰ āĻŸā§‡āύ⧇ āφāύ⧇āĨ¤ āĻ­ā§Ÿā§‡ āĻ­ā§Ÿā§‡ āĻāϏ⧇āĻ›āĻŋāύ⧁ āĻĻ⧁āϰ⧁āĻĻ⧁āϰ⧁ āĻŦ⧁āϕ⧇ āϤ⧋āĻŽāĻžāϰ āϏāĻŽā§āĻŽā§āϖ⧇ āϤ⧋āĻŽāĻžāϰ āĻ­ā§āϰ⧂āϕ⧁āϟāĻŋāĻ­āĻ™ā§Read more

    āĻŽā§ƒāĻ¤ā§āϝ⧁āĻžā§āϜāϝāĻŧ

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ
    āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ – āĻĒāϰāĻŋāĻļ⧇āώ

    āĻĻā§‚āϰ āĻšāϤ⧇ āϭ⧇āĻŦ⧇āĻ›āĻŋāύ⧁ āĻŽāύ⧇
    āĻĻ⧁āĻ°ā§āϜ⧟ āύāĻŋāĻ°ā§āĻĻ⧟ āϤ⧁āĻŽāĻŋ, āĻ•āĻžāρāĻĒ⧇ āĻĒ⧃āĻĨā§āĻŦā§€ āϤ⧋āĻŽāĻžāϰ āĻļāĻžāϏāύ⧇āĨ¤
    āϤ⧁āĻŽāĻŋ āĻŦāĻŋāĻ­ā§€āώāĻŋāĻ•āĻž,
    āĻĻ⧁āσāĻ–ā§€āϰ āĻŦāĻŋāĻĻā§€āĻ°ā§āĻŖ āĻŦāĻ•ā§āώ⧇ āĻœā§āĻŦāϞ⧇ āϤāĻŦ āϞ⧇āϞāĻŋāĻšāĻžāύ āĻļāĻŋāĻ–āĻžāĨ¤
    āĻĻāĻ•ā§āώāĻŋāĻŖ āĻšāĻžāϤ⧇āϰ āĻļ⧇āϞ āωāϠ⧇āϛ⧇ āĻā§œā§‡āϰ āĻŽā§‡āϘ-āĻĒāĻžāύ⧇,
    āϏ⧇āĻĨāĻž āĻšāϤ⧇ āĻŦāĻœā§āϰ āĻŸā§‡āύ⧇ āφāύ⧇āĨ¤
    āĻ­ā§Ÿā§‡ āĻ­ā§Ÿā§‡ āĻāϏ⧇āĻ›āĻŋāύ⧁ āĻĻ⧁āϰ⧁āĻĻ⧁āϰ⧁ āĻŦ⧁āϕ⧇
    āϤ⧋āĻŽāĻžāϰ āϏāĻŽā§āĻŽā§āϖ⧇
    āϤ⧋āĻŽāĻžāϰ āĻ­ā§āϰ⧂āϕ⧁āϟāĻŋāĻ­āĻ™ā§āϗ⧇ āϤāϰāĻ™ā§āĻ—āĻŋāϞ āφāϏāĻ¨ā§āύ āĻ‰ā§ŽāĻĒāĻžāϤ, —
    āύāĻžāĻŽāĻŋāϞ āφāϘāĻžāϤāĨ¤
    āĻĒāĻžāρāϜāϰ āωāĻ āĻŋāϞ āϕ⧇āρāĻĒ⧇,
    āĻŦāĻ•ā§āώ⧇ āĻšāĻžāϤ āĻšā§‡āĻĒ⧇
    āĻļ⧁āϧāĻžāϞ⧇āĻŽ, “āφāϰ⧋ āĻ•āĻŋāϛ⧁ āφāϛ⧇ āύāĻžāĻ•āĻŋ,
    āφāϛ⧇ āĻŦāĻžāĻ•āĻŋ
    āĻļ⧇āώ āĻŦāĻœā§āϰāĻĒāĻžāϤ?’
    āύāĻžāĻŽāĻŋāϞ āφāϘāĻžāϤāĨ¤
    āĻāχāĻŽāĻžāĻ¤ā§āϰ? āφāϰ āĻ•āĻŋāϛ⧁ āύ⧟?
    āϭ⧇āϙ⧇ āϗ⧇āϞ āϭ⧟āĨ¤
    āϝāĻ–āύ āωāĻĻā§āϝāϤ āĻ›āĻŋāϞ āϤ⧋āĻŽāĻžāϰ āĻ…āĻļāύāĻŋ
    āϤ⧋āĻŽāĻžāϰ⧇ āφāĻŽāĻžāϰ āĻšā§‡ā§Ÿā§‡ āĻŦā§œā§‹ āĻŦ’āϞ⧇ āύāĻŋā§Ÿā§‡āĻ›āĻŋāύ⧁ āĻ—āύāĻŋāĨ¤
    āϤ⧋āĻŽāĻžāϰ āφāϘāĻžāϤ-āϏāĻžāĻĨ⧇ āύ⧇āĻŽā§‡ āĻāϞ⧇ āϤ⧁āĻŽāĻŋ
    āϝ⧇āĻĨāĻž āĻŽā§‹āϰ āφāĻĒāύāĻžāϰ āĻ­ā§‚āĻŽāĻŋāĨ¤
    āϛ⧋āĻŸā§‹ āĻšā§Ÿā§‡ āϗ⧇āĻ› āφāϜāĨ¤
    āφāĻŽāĻžāϰ āϟ⧁āϟāĻŋāϞ āϏāĻŦ āϞāĻžāϜāĨ¤
    āϝāϤ āĻŦā§œā§‹ āĻšāĻ“,
    āϤ⧁āĻŽāĻŋ āϤ⧋ āĻŽā§ƒāĻ¤ā§āϝ⧁āϰ āĻšā§‡ā§Ÿā§‡ āĻŦā§œā§‹ āύāĻ“āĨ¤
    āφāĻŽāĻŋ āĻŽā§ƒāĻ¤ā§āϝ⧁-āĻšā§‡ā§Ÿā§‡ āĻŦā§œā§‹ āĻāχ āĻļ⧇āώ āĻ•āĻĨāĻž āĻŦāϞ⧇
    āϝāĻžāĻŦ āφāĻŽāĻŋ āϚāϞ⧇āĨ¤

    In English:

    Poem – Mrityunjay
    By – Rabindranath Tagore

    Dur hote bhebechinu mone
    Durjoy nirdoy tumi, kape prithibi tomar shasone
    Tumi Bhivishika,
    Dukhir bidirno bokkhe jole tobo lelihan shikha
    Dokkhin hater shel uteche jhorer megh pane,
    Setha hote bojro tane aane

    Bhoye bhoye esechinu duruduru buke
    tomar shommukhe
    Tomar bhurukutibhonge tarangilo aashonno utpat
    Namilo aghat.
    Pajor uthilo kepe
    Bokke hath chepe
    Sudhalem, “Aro kichu aache naki”
    Ache baki
    Sesh bojropat
    Namilo Aghat
    Eimatro? aar kichu noy?
    Bhenge gelo bhoy
    Jakhan uddoto chilo tomar oshoni
    Tomare amar cheye boro bole niyechilu goni.
    Tomar aghat sathe neme ele tumi
    Jetha mor aponar bhumi
    Choto hoye gecho aj
    Amar tutilo shb laj
    Joto boro how
    Tumi to mrityur cheye boro now.
    Ami mrityu cheye ei sesh kotha bole
    jabo Ami chole

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āĻ…āύāĻ¨ā§āϤ āĻĒā§āϰ⧇āĻŽ | Unending Love by Rabindranath Tagore in Bengali?

  1. Nibedita Paul
    Nibedita Paul
    Added an answer on May 5, 2021 at 1:29 am

    āĻ…āύāĻ¨ā§āϤ āĻĒā§āϰ⧇āĻŽ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ : āĻŽāĻžāύāϏ⧀ āϤ⧋āĻŽāĻžāϰ⧇āχ āϝ⧇āύ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻŋāϝāĻŧāĻžāĻ›āĻŋ āĻļāϤ āϰ⧂āĻĒ⧇ āĻļāϤ āĻŦāĻžāϰ āϜāύāĻŽā§‡ āϜāύāĻŽā§‡, āϝ⧁āϗ⧇ āϝ⧁āϗ⧇ āĻ…āύāĻŋāĻŦāĻžāϰāĨ¤ āϚāĻŋāϰāĻ•āĻžāϞ āϧāϰ⧇ āĻŽā§āĻ—ā§āϧ āĻšā§ƒāĻĻāϝāĻŧ āĻ—āĻžāρāĻĨāĻŋāϝāĻŧāĻžāϛ⧇ āĻ—ā§€āϤāĻšāĻžāϰ, āĻ•āϤ āϰ⧂āĻĒ āϧāϰ⧇ āĻĒāϰ⧇āĻ› āĻ—āϞāĻžāϝāĻŧ, āύāĻŋāϝāĻŧ⧇āĻ› āϏ⧇ āωāĻĒāĻšāĻžāϰ āϜāύāĻŽā§‡ āϜāύāĻŽā§‡ āϝ⧁āϗ⧇ āϝ⧁āϗ⧇ āĻ…āύāĻŋāĻŦāĻžāϰāĨ¤ āϝāϤ āĻļ⧁āύāĻŋ āϏ⧇āχ āĻ…āϤ⧀āϤ āĻ•āĻžāĻšāĻŋāύ⧀, āĻĒā§āϰāĻžāĻšā§€āύ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻŦā§āϝāĻĨāĻž, āĻ…āϤāĻŋ āĻĒ⧁āϰāĻžāϤāύ āĻŦāĻŋāϰāĻšāĻŽāĻŋāϞāύāĻ•āĻĨāĻž,Read more

    āĻ…āύāĻ¨ā§āϤ āĻĒā§āϰ⧇āĻŽ

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ
    āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ : āĻŽāĻžāύāϏ⧀

    āϤ⧋āĻŽāĻžāϰ⧇āχ āϝ⧇āύ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻŋāϝāĻŧāĻžāĻ›āĻŋ
    āĻļāϤ āϰ⧂āĻĒ⧇ āĻļāϤ āĻŦāĻžāϰ
    āϜāύāĻŽā§‡ āϜāύāĻŽā§‡, āϝ⧁āϗ⧇ āϝ⧁āϗ⧇ āĻ…āύāĻŋāĻŦāĻžāϰāĨ¤
    āϚāĻŋāϰāĻ•āĻžāϞ āϧāϰ⧇ āĻŽā§āĻ—ā§āϧ āĻšā§ƒāĻĻāϝāĻŧ
    āĻ—āĻžāρāĻĨāĻŋāϝāĻŧāĻžāϛ⧇ āĻ—ā§€āϤāĻšāĻžāϰ,
    āĻ•āϤ āϰ⧂āĻĒ āϧāϰ⧇ āĻĒāϰ⧇āĻ› āĻ—āϞāĻžāϝāĻŧ,
    āύāĻŋāϝāĻŧ⧇āĻ› āϏ⧇ āωāĻĒāĻšāĻžāϰ
    āϜāύāĻŽā§‡ āϜāύāĻŽā§‡ āϝ⧁āϗ⧇ āϝ⧁āϗ⧇ āĻ…āύāĻŋāĻŦāĻžāϰāĨ¤
    āϝāϤ āĻļ⧁āύāĻŋ āϏ⧇āχ āĻ…āϤ⧀āϤ āĻ•āĻžāĻšāĻŋāύ⧀,
    āĻĒā§āϰāĻžāĻšā§€āύ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻŦā§āϝāĻĨāĻž,
    āĻ…āϤāĻŋ āĻĒ⧁āϰāĻžāϤāύ āĻŦāĻŋāϰāĻšāĻŽāĻŋāϞāύāĻ•āĻĨāĻž,
    āĻ…āϏ⧀āĻŽ āĻ…āϤ⧀āϤ⧇ āϚāĻžāĻšāĻŋāϤ⧇ āϚāĻžāĻšāĻŋāϤ⧇
    āĻĻ⧇āĻ–āĻž āĻĻ⧇āϝāĻŧ āĻ…āĻŦāĻļ⧇āώ⧇
    āĻ•āĻžāϞ⧇āϰ āϤāĻŋāĻŽāĻŋāϰāϰāϜāύ⧀ āϭ⧇āĻĻāĻŋāϝāĻŧāĻž
    āϤ⧋āĻŽāĻžāϰāĻŋ āĻŽā§āϰāϤāĻŋ āĻāϏ⧇,
    āϚāĻŋāϰāĻ¸ā§āĻŽā§ƒāϤāĻŋāĻŽāϝāĻŧā§€ āĻ§ā§āϰ⧁āĻŦāϤāĻžāϰāĻ•āĻžāϰ āĻŦ⧇āĻļ⧇āĨ¤
    āφāĻŽāϰāĻž āĻĻ⧁āϜāύ⧇ āĻ­āĻžāϏāĻŋāϝāĻŧāĻž āĻāϏ⧇āĻ›āĻŋ
    āϝ⧁āĻ—āϞ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻ¸ā§āϰ⧋āϤ⧇
    āĻ…āύāĻžāĻĻāĻŋāĻ•āĻžāϞ⧇āϰ āĻšā§ƒāĻĻāϝāĻŧ-āĻ‰ā§ŽāϏ āĻšāϤ⧇āĨ¤
    āφāĻŽāϰāĻž āĻĻ⧁āϜāύ⧇ āĻ•āϰāĻŋāϝāĻŧāĻžāĻ›āĻŋ āϖ⧇āϞāĻž
    āϕ⧋āϟāĻŋ āĻĒā§āϰ⧇āĻŽāĻŋāϕ⧇āϰ āĻŽāĻžāĻā§‡
    āĻŦāĻŋāϰāĻšāĻŦāĻŋāϧ⧁āϰ āύāϝāĻŧāύāϏāϞāĻŋāϞ⧇,
    āĻŽāĻŋāϞāύāĻŽāϧ⧁āϰ āϞāĻžāĻœā§‡â€“
    āĻĒ⧁āϰāĻžāϤāύ āĻĒā§āϰ⧇āĻŽ āύāĻŋāĻ¤ā§āϝāύ⧂āϤāύ āϏāĻžāĻœā§‡āĨ¤
    āφāϜāĻŋ āϏ⧇āχ āϚāĻŋāϰāĻĻāĻŋāĻŦāϏ⧇āϰ āĻĒā§āϰ⧇āĻŽ
    āĻ…āĻŦāϏāĻžāύ āϞāĻ­āĻŋāϝāĻŧāĻžāϛ⧇
    āϰāĻžāĻļāĻŋ āϰāĻžāĻļāĻŋ āĻšāϝāĻŧ⧇ āϤ⧋āĻŽāĻžāϰ āĻĒāĻžāϝāĻŧ⧇āϰ āĻ•āĻžāϛ⧇āĨ¤
    āύāĻŋāĻ–āĻŋāϞ⧇āϰ āϏ⧁āĻ–, āύāĻŋāĻ–āĻŋāϞ⧇āϰ āĻĻ⧁āĻ–,
    āύāĻŋāĻ–āĻŋāϞ āĻĒā§āϰāĻžāϪ⧇āϰ āĻĒā§āϰ⧀āϤāĻŋ,
    āĻāĻ•āϟāĻŋ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻŽāĻžāĻāĻžāϰ⧇ āĻŽāĻŋāĻļ⧇āϛ⧇
    āϏāĻ•āϞ āĻĒā§āϰ⧇āĻŽā§‡āϰ āĻ¸ā§āĻŽā§ƒāϤāĻŋ–
    āϏāĻ•āϞ āĻ•āĻžāϞ⧇āϰ āϏāĻ•āϞ āĻ•āĻŦāĻŋāϰ āĻ—ā§€āϤāĻŋāĨ¤

    Unending Love by Rabindranath Tagore Recitation:

    Unending Love by Rabindranath Tagore in Bengali

    Tomarei jeno bhalobashiyachi
    shata rupe shata bar
    janame janame, juge juge anibar
    Chirokaldhore mugdho hridoy
    gathiyache Geetohar
    kata rup dhore porecho golay
    Niyecho shey upohar
    janame janame, juge juge anibar
    jata shuni Shei atit kahini
    Prachin premer byatha
    Ati puratan biraha milonkotha
    Ashim atite chahite chahite
    Dekha jay abasheshe
    kaler timir rajani bhediya
    tomari murti eshe
    chirosritimoyi dhrubotarar beshe
    Amra dujone bhashiya eshechi
    Jugal premer srote
    Anadikaler hridoy utsho hote
    Amra dujone koriyachi khela
    Koti premiker majhe
    Birohobidhur nayanshile
    Milon madhur laje
    Puratan prem nityo natun shaje
    Aaji shei chirodibosher prem
    Abashan lobhiyache
    rashi rashi hoye tomar payer kache
    Nikhiler sukh nikhiler dukh
    Nikhil praner priti
    Ekti premer majhare misheche
    Shokol premer sriti
    Shokol kaler shokol kobir geeti

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āφāĻŽāĻŋ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Ami kobita by Rabindranath Tagore Lyrics?

  1. Hridoy
    Hridoy
    Added an answer on August 12, 2020 at 9:30 pm

    āφāĻŽāĻŋ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ- āĻļā§āϝāĻžāĻŽāϞ⧀ āĻ¸ā§āĻĨāĻžāύ - āĻļāĻžāĻ¨ā§āϤāĻŋāύāĻŋāϕ⧇āϤāύ, ⧍⧝ āĻŽā§‡, ā§§ā§¯ā§Šā§Ŧ āφāĻŽāĻžāϰāχ āĻšā§‡āϤāύāĻžāϰ āϰāϙ⧇ āĻĒāĻžāĻ¨ā§āύāĻž āĻšāϞ āϏāĻŦ⧁āϜ, āϚ⧁āύāĻŋ āωāĻ āϞ āϰāĻžāĻ™āĻž āĻšāϝāĻŧ⧇ āĨ¤ āφāĻŽāĻŋ āĻšā§‹āĻ– āĻŽā§‡āϞāϞ⧁āĻŽ āφāĻ•āĻžāĻļ⧇, āĻœā§āĻŦāϞ⧇ āωāĻ āϞ āφāϞ⧋ āĻĒ⧁āĻŦ⧇ āĻĒāĻļā§āϚāĻŋāĻŽā§‡ āĨ¤ āĻ—ā§‹āϞāĻžāĻĒ⧇āϰ āĻĻāĻŋāϕ⧇ āĻšā§‡āϝāĻŧ⧇ āĻŦāϞāϞ⧁āĻŽ ‘āϏ⧁āĻ¨ā§āĻĻāϰ' , āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāϞ āϏ⧇ āĨ¤ āϤ⧁āĻŽāĻŋ āĻŦāϞāĻŦ⧇ āĻ āϝ⧇ āϤāĻ¤ā§āĻ¤ā§āĻŦāĻ•āĻĨāĻž , āĻ āĻ•āĻŦāĻŋāϰ āĻŦāĻžāĻŖā§€ āύāϝāĻŧ āĨ¤ āφāĻŽāĻŋ āĻŦāϞāĻŦ, āĻ āϏāĻ¤ā§āϝ , āϤāĻžāχRead more

    āφāĻŽāĻŋ

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ

    āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ- āĻļā§āϝāĻžāĻŽāϞ⧀

    āĻ¸ā§āĻĨāĻžāύ – āĻļāĻžāĻ¨ā§āϤāĻŋāύāĻŋāϕ⧇āϤāύ, ⧍⧝ āĻŽā§‡, ā§§ā§¯ā§Šā§Ŧ

    āφāĻŽāĻžāϰāχ āĻšā§‡āϤāύāĻžāϰ āϰāϙ⧇ āĻĒāĻžāĻ¨ā§āύāĻž āĻšāϞ āϏāĻŦ⧁āϜ,
    āϚ⧁āύāĻŋ āωāĻ āϞ āϰāĻžāĻ™āĻž āĻšāϝāĻŧ⧇ āĨ¤
    āφāĻŽāĻŋ āĻšā§‹āĻ– āĻŽā§‡āϞāϞ⧁āĻŽ āφāĻ•āĻžāĻļ⧇,
    āĻœā§āĻŦāϞ⧇ āωāĻ āϞ āφāϞ⧋
    āĻĒ⧁āĻŦ⧇ āĻĒāĻļā§āϚāĻŋāĻŽā§‡ āĨ¤
    āĻ—ā§‹āϞāĻžāĻĒ⧇āϰ āĻĻāĻŋāϕ⧇ āĻšā§‡āϝāĻŧ⧇ āĻŦāϞāϞ⧁āĻŽ ‘āϏ⧁āĻ¨ā§āĻĻāĻ°â€™ ,
    āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāϞ āϏ⧇ āĨ¤

    āϤ⧁āĻŽāĻŋ āĻŦāϞāĻŦ⧇ āĻ āϝ⧇ āϤāĻ¤ā§āĻ¤ā§āĻŦāĻ•āĻĨāĻž , āĻ āĻ•āĻŦāĻŋāϰ āĻŦāĻžāĻŖā§€ āύāϝāĻŧ āĨ¤
    āφāĻŽāĻŋ āĻŦāϞāĻŦ, āĻ āϏāĻ¤ā§āϝ ,
    āϤāĻžāχ āĻ āĻ•āĻžāĻŦā§āϝ āĨ¤
    āĻ āφāĻŽāĻžāϰ āĻ…āĻšāĻ‚āĻ•āĻžāϰ ,
    āĻ…āĻšāĻ‚āĻ•āĻžāϰ āϏāĻŽāĻ¸ā§āϤ āĻŽāĻžāύ⧁āώ⧇āϰ āĻšāϝāĻŧ⧇ āĨ¤
    āĻŽāĻžāύ⧁āώ⧇āϰ āĻ…āĻšāĻ‚āĻ•āĻžāϰ – āĻĒāĻŸā§‡āχ
    āĻŦāĻŋāĻļā§āĻŦāĻ•āĻ°ā§āĻŽāĻžāϰ āĻŦāĻŋāĻļā§āĻŦāĻļāĻŋāĻ˛ā§āĻĒ āĨ¤

    āϤāĻ¤ā§āĻ¤ā§āĻŦāĻœā§āĻžāĻžāύ⧀ āϜāĻĒ āĻ•āϰāϛ⧇āύ āύāĻŋāĻļā§āĻŦāĻžāϏ⧇ āĻĒā§āϰāĻļā§āĻŦāĻžāĻ¸ā§‡â€“
    āύāĻž, āύāĻž, āύāĻžâ€”
    āύāĻž-āĻĒāĻžāĻ¨ā§āύāĻž, āύāĻž-āϚ⧁āύāĻŋ, āύāĻž-āφāϞ⧋,āύāĻž-āĻ—ā§‹āϞāĻžāĻĒ ,
    āύāĻž-āφāĻŽāĻŋ, āύāĻž-āϤ⧁āĻŽāĻŋ āĨ¤
    āĻ“ āĻĻāĻŋāϕ⧇, āĻ…āϏ⧀āĻŽ āϝāĻŋāύāĻŋ āϤāĻŋāύāĻŋ āĻ¸ā§āĻŦāϝāĻŧāĻ‚ āĻ•āϰ⧇āϛ⧇āύ āϏāĻžāϧāύāĻž
    āĻŽāĻžāύ⧁āώ⧇āϰ āϏ⧀āĻŽāĻžāύāĻžāϝāĻŧ,
    āϤāĻžāϕ⧇āχ āĻŦāϞ⧇ ‘āφāĻŽāĻŋ’ āĨ¤

    āϏ⧇āχ āφāĻŽāĻŋ’āϰ āĻ—āĻšāύ⧇ āφāϞ⧋ – āφāρāϧāĻžāϰ⧇āϰ āϘāϟāϞ āϏāĻ‚āĻ—āĻŽ,
    āĻĻ⧇āĻ–āĻž āĻĻāĻŋāϞ āϰ⧂āĻĒ, āĻœā§‡āϗ⧇ āωāĻ āϞ āϰāϏ ;
    ‘āύāĻžâ€™ āĻ•āĻ–āύ āĻĢ⧁āĻŸā§‡ āωāϠ⧇ āĻšāϞ ‘āĻšāĻžāĻâ€™ āĻŽāĻžāϝāĻŧāĻžāϰ āĻŽāĻ¨ā§āĻ¤ā§āϰ⧇ ,
    āϰ⧇āĻ–āĻžāϝāĻŧ āϰāϙ⧇, āϏ⧁āϖ⧇ āĻĻ⧁āσāϖ⧇ āĨ¤āĨ¤

    āĻāϕ⧇ āĻŦā§‹āϞ⧋ āύāĻž āϤāĻ¤ā§āĻ¤ā§āĻŦ–
    āφāĻŽāĻžāϰ āĻŽāύ āĻšāϝāĻŧ⧇āϛ⧇ āĻĒ⧁āϞāĻ•āĻŋāϤ
    āĻŦāĻŋāĻļā§āĻŦ-āφāĻŽāĻŋāϰ āϰāϚāύāĻžāϰ āφāϏāϰ⧇
    āĻšāĻžāϤ⧇ āύāĻŋāϝāĻŧ⧇ āϤ⧁āϞāĻŋ , āĻĒāĻžāĻ¤ā§āϰ⧇ āύāĻŋāϝāĻŧ⧇ āϰāĻ™ āĨ¤āĨ¤
    āĻĒāĻŖā§āĻĄāĻŋāϤ āĻŦāϞāϛ⧇āĻ¨â€”
    āĻŦ⧁āĻĄāĻŧā§‹ āϚāĻ¨ā§āĻĻā§āϰāϟāĻž , āύāĻŋāĻˇā§āϠ⧁āϰ āϚāϤ⧁āϰ āĻšāĻžāϏāĻŋ āϤāĻžāϰ ,
    āĻŽā§ƒāĻ¤ā§āϝ⧁āĻĻā§‚āϤ⧇āϰ āĻŽāϤ⧋ āϗ⧁āρāĻĄāĻŧāĻŋ āĻŽā§‡āϰ⧇ āφāϏāϛ⧇ āϏ⧇
    āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ āĻĒāĻžāρāϜāϰ⧇āϰ āĻ•āĻžāϛ⧇ āĨ¤
    āĻāĻ•āĻĻāĻŋāύ āĻĻ⧇āĻŦ⧇ āϚāϰāĻŽ āϟāĻžāύ āϤāĻžāϰ āϏāĻžāĻ—āϰ⧇ āĻĒāĻ°ā§āĻŦāϤ⧇ ;
    āĻŽāĻ°ā§āϤāϞ⧋āϕ⧇ āĻŽāĻšāĻžāĻ•āĻžāϞ⧇āϰ āύ⧂āϤāύ āĻ–āĻžāϤāĻžāϝāĻŧ
    āĻĒāĻžāϤāĻž āϜ⧁āĻĄāĻŧ⧇ āύāĻžāĻŽāĻŦ⧇ āĻāĻ•āϟāĻž āĻļā§‚āĻ¨ā§āϝ ,
    āĻ—āĻŋāϞ⧇ āĻĢ⧇āϞāĻŦ⧇ āĻĻāĻŋāύāϰāĻžāϤ⧇āϰ āϜāĻŽāĻžāĻ–āϰāϚ ;
    āĻŽāĻžāύ⧁āώ⧇āϰ āϕ⧀āĻ°ā§āϤāĻŋ āĻšāĻžāϰāĻžāĻŦ⧇ āĻ…āĻŽāϰāϤāĻžāϰ āĻ­āĻžāύ ,
    āϤāĻžāϰ āχāϤāĻŋāĻšāĻžāϏ⧇ āϞ⧇āĻĒ⧇ āĻĻ⧇āĻŦ⧇
    āĻ…āύāĻ¨ā§āϤ āϰāĻžāĻ¤ā§āϰāĻŋāϰ āĻ•āĻžāϞāĻŋ āĨ¤

    āĻŽāĻžāύ⧁āώ⧇āϰ āϝāĻžāĻŦāĻžāϰ āĻĻāĻŋāύ⧇āϰ āĻšā§‹āĻ–
    āĻŦāĻŋāĻļā§āĻŦ āĻĨ⧇āϕ⧇ āύāĻŋāĻ•āĻŋāϝāĻŧ⧇ āύ⧇āĻŦ⧇ āϰāĻ™ ,
    āĻŽāĻžāύ⧁āώ⧇āϰ āϝāĻžāĻŦāĻžāϰ āĻĻāĻŋāύ⧇āϰ āĻŽāύ
    āĻ›āĻžāύāĻŋāϝāĻŧ⧇ āύ⧇āĻŦ⧇ āϰāϏ āĨ¤
    āĻļāĻ•ā§āϤāĻŋāϰ āĻ•āĻŽā§āĻĒāύ āϚāϞāĻŦ⧇ āφāĻ•āĻžāĻļ⧇ āφāĻ•āĻžāĻļ⧇ ,
    āĻœā§āĻŦāϞāĻŦ⧇ āύāĻž āϕ⧋āĻĨāĻžāĻ“ āφāϞ⧋ āĨ¤
    āĻŦā§€āĻŖāĻžāĻšā§€āύ āϏāĻ­āĻžāϝāĻŧ āϝāĻ¨ā§āĻ¤ā§āϰ⧀āϰ āφāϙ⧁āϞ āύāĻžāϚāĻŦ⧇ ,
    āĻŦāĻžāϜāĻŦ⧇ āύāĻž āϏ⧁āϰ āĨ¤
    āϏ⧇āĻĻāĻŋāύ āĻ•āĻŦāĻŋāĻ¤ā§āĻŦāĻšā§€āύ āĻŦāĻŋāϧāĻžāϤāĻž āĻāĻ•āĻž āϰāĻŦ⧇āύ āĻŦāϏ⧇
    āύ⧀āϞāĻŋāĻŽāĻžāĻšā§€āύ āφāĻ•āĻžāĻļ⧇
    āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ¤ā§āĻŦāĻšāĻžāϰāĻž āĻ…āĻ¸ā§āϤāĻŋāĻ¤ā§āĻŦ⧇āϰ āĻ—āĻŖāĻŋāϤāϤāĻ¤ā§āĻ¤ā§āĻŦ āύāĻŋāϝāĻŧ⧇ āĨ¤
    āϤāĻ–āύ āĻŦāĻŋāϰāĻžāϟ āĻŦāĻŋāĻļā§āĻŦāϭ⧁āĻŦāύ⧇,
    āĻĻā§‚āϰ⧇ āĻĻā§‚āϰāĻžāĻ¨ā§āϤ⧇ āĻ…āύāĻ¨ā§āϤ āĻ…āϏāĻ‚āĻ–ā§āϝ āϞ⧋āϕ⧇ āϞ⧋āĻ•āĻžāĻ¨ā§āϤāϰ⧇
    āĻ āĻŦāĻžāĻŖā§€ āĻ§ā§āĻŦāύāĻŋāϤ āĻšāĻŦ⧇ āύāĻž āϕ⧋āύ⧋āĻ–āĻžāύ⧇āχ -—
    ‘āϤ⧁āĻŽāĻŋ āϏ⧁āĻ¨ā§āĻĻāĻ°â€™ ,
    ‘āφāĻŽāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻŋ’ āĨ¤
    āĻŦāĻŋāϧāĻžāϤāĻž āĻ•āĻŋ āφāĻŦāĻžāϰ āĻŦāϏāĻŦ⧇āύ āϏāĻžāϧāύāĻž āĻ•āϰāϤ⧇
    āϝ⧁āĻ—āϝ⧁āĻ—āĻžāĻ¨ā§āϤāϰ āĻ§â€™āĻ°ā§‡â€“
    āĻĒā§āϰāϞāϝāĻŧāϏāĻ¨ā§āĻ§ā§āϝāĻžāϝāĻŧ āϜāĻĒ āĻ•āϰāĻŦ⧇āύ
    āĻ•āĻĨāĻž āĻ•āĻ“, āĻ•āĻĨāĻž āĻ•āĻ“â€™,
    āĻŦāϞāĻŦ⧇āύ ‘āĻŦāϞ⧋ , āϤ⧁āĻŽāĻŋ āϏ⧁āĻ¨ā§āĻĻāĻ°â€™,
    āĻŦāϞāĻŦ⧇āύ ‘āĻŦāϞ⧋ , āφāĻŽāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻŋ’?

     

    English Transliteration:

    Ami
    Rabindranath Tagore

    Aamari chetonar ronge panna holo shabuj
    Chuni uthlo ranga hoye.
    Ami chokh mellum aakashe,
    Jole uthlo aalo
    Pube poschime
    Golaper dike cheye bollum ‘sundor’
    Sundar holo se.

    Tumi bolbe e je tatwakotha, E kobir bani noy
    Ami bolbo, E shotto,
    Tai e kabbyo
    E amar ohongkar
    Ohongkaar somosto manusher hoye
    Manusher ohongkar- potei
    Bishwakormar biswashilpo

    Tatwagyani jop korechen nishashe proshashe
    Na, Na, Na-
    Na-Panna, Na-chuni, Na-alo, Na-golap
    Na-ami, Na-tumi
    O dike, Oshim jini tini shoyong korechen sadhona
    Manusher shimanay,
    Takei bole ami.

    Sei aamir gohone alo-Adharer ghotlo shongam
    Dekha dilo roop, Jege uthlo rosh;
    ‘Na’kokhon fute holo ‘ha’ mayar montre,
    Rekhar ronge, sukhe dukhe

    Eke bole na tatwa-
    Amar mon hoyeche pulokito
    Bishwa aamir rochonar aashore
    Hate niye tuli, patre niye rong
    Pondit bolechen-
    Buro chondrota, Nishtur hashi tar
    Mrityuduter moto guri mere aashche she
    Prithibir pajorer kache
    Ekdin debe chorom taan tar shagor porbote
    Motroloke mohakaler natun khatay

    Pata jure nambe ekta shunno
    File felbe din raater joma khoros
    Manusher Kirti harabe omorotar van
    Tar itihas lepe debe
    Ononto ratrir kaliāĨ¤

    Manushe r jabar diner chokh
    Bishwa theke nikiye debe rong
    Manusher jabar diner mon
    Chaniye nebe rosh
    Shaktir kompon cholbe akashe akashe
    Jolbe na kuthao aalo
    Binahin shovay jontrir aagun nachbe
    Bajbe na shur
    sedin kobittohin bidhata ek roben boshe
    Nilimahin akashe
    Baktitwa hara ostiter gonittatwa niye
    Takhan birat bishwabhubone,
    Dure Durante ananta oshongko loke lokantor e
    E bani dhonito hobe kunokhanei-
    Tumi sundor,
    Ami valobashi
    Bidhata ki abar aashben sadhona korte
    Jugjuganto dhore-
    Proloy sondhay jap korben
    Kotha ko, kotha ko;
    Bolben ‘bolo, tumi sundor’
    Bolben ‘bolo, ami valobashi’?

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āĻĒā§āϰāĻļā§āύ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Proshno Kobita Rabindranath Tagore in Bengali?

  1. Hridoy
    Hridoy
    Added an answer on August 13, 2020 at 1:01 pm

    āĻĒā§āϰāĻļā§āύ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ - āĻĒāϰāĻŋāĻļ⧇āώ āϰāϚāύāĻžāĻ•āĻžāϞ - āĻĒ⧌āώ, ā§§ā§Šā§Šā§Ž   āĻ­āĻ—āĻŦāĻžāύ, āϤ⧁āĻŽāĻŋ āϝ⧁āϗ⧇ āϝ⧁āϗ⧇ āĻĻā§‚āϤ āĻĒāĻžāĻ āĻžāϝāĻŧ⧇āĻ› āĻŦāĻžāϰ⧇ āĻŦāĻžāϰ⧇ āĻĻāϝāĻŧāĻžāĻšā§€āύ āϏāĻ‚āϏāĻžāϰ⧇- āϤāĻžāϰāĻž āĻŦāϞ⧇ āϗ⧇āϞ `āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧋ āϏāĻŦ⧇', āĻŦāϞ⧇ āϗ⧇āϞ `āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋- āĻ…āĻ¨ā§āϤāϰ āĻšāϤ⧇ āĻŦāĻŋāĻĻā§āĻŦ⧇āώāĻŦāĻŋāώ āύāĻžāĻļā§‹'āĨ¤ āĻŦāϰāĻŖā§€āϝāĻŧ āϤāĻžāϰāĻž, āĻ¸ā§āĻŽāϰāĻŖā§€āϝāĻŧ āϤāĻžāϰ, āϤāĻŦ⧁āĻ“ āĻŦāĻžāĻšāĻŋāϰ-āĻĻā§āĻŦāĻžāϰ⧇ āφāϜāĻŋ āĻĻ⧁āĻ°ā§āĻĻāĻŋāύ⧇ āĻĢāĻŋāϰāĻžāύ⧁ āϤāĻžāĻĻ⧇āϰ āĻŦā§āϝāĻ°ā§āĻĨ āύāĻŽāĻ¸ā§āĻ•āĻžāϰ⧇āĨĨ āφRead more

    āĻĒā§āϰāĻļā§āύ

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ

    āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ – āĻĒāϰāĻŋāĻļ⧇āώ
    āϰāϚāύāĻžāĻ•āĻžāϞ – āĻĒ⧌āώ, ā§§ā§Šā§Šā§Ž

     

    āĻ­āĻ—āĻŦāĻžāύ, āϤ⧁āĻŽāĻŋ āϝ⧁āϗ⧇ āϝ⧁āϗ⧇ āĻĻā§‚āϤ āĻĒāĻžāĻ āĻžāϝāĻŧ⧇āĻ› āĻŦāĻžāϰ⧇ āĻŦāĻžāϰ⧇
    āĻĻāϝāĻŧāĻžāĻšā§€āύ āϏāĻ‚āϏāĻžāϰ⧇-
    āϤāĻžāϰāĻž āĻŦāϞ⧇ āϗ⧇āϞ `āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧋ āϏāĻŦā§‡â€™, āĻŦāϞ⧇ āϗ⧇āϞ `āĻ­āĻžāϞ⧋āĻŦāĻžāϏ⧋-
    āĻ…āĻ¨ā§āϤāϰ āĻšāϤ⧇ āĻŦāĻŋāĻĻā§āĻŦ⧇āώāĻŦāĻŋāώ āύāĻžāĻļā§‹â€™āĨ¤
    āĻŦāϰāĻŖā§€āϝāĻŧ āϤāĻžāϰāĻž, āĻ¸ā§āĻŽāϰāĻŖā§€āϝāĻŧ āϤāĻžāϰ, āϤāĻŦ⧁āĻ“ āĻŦāĻžāĻšāĻŋāϰ-āĻĻā§āĻŦāĻžāϰ⧇
    āφāϜāĻŋ āĻĻ⧁āĻ°ā§āĻĻāĻŋāύ⧇ āĻĢāĻŋāϰāĻžāύ⧁ āϤāĻžāĻĻ⧇āϰ āĻŦā§āϝāĻ°ā§āĻĨ āύāĻŽāĻ¸ā§āĻ•āĻžāϰ⧇āĨĨ

    āφāĻŽāĻŋ āϝ⧇ āĻĻ⧇āϖ⧇āĻ›āĻŋ āĻ—ā§‹āĻĒāύ āĻšāĻŋāĻ‚āϏāĻž āĻ•āĻĒāϟāϰāĻžāĻ¤ā§āϰāĻŋ-āĻ›āĻžāϝāĻŧ⧇
    āĻšā§‡āύ⧇āϛ⧇ āύāĻŋāσāϏāĻšāĻžāϝāĻŧ⧇āĨ¤
    āφāĻŽāĻŋ āϝ⧇ āĻĻ⧇āϖ⧇āĻ›āĻŋ- āĻĒā§āϰāϤāĻŋāĻ•āĻžāϰāĻšā§€āύ, āĻļāĻ•ā§āϤ⧇āϰ āĻ…āĻĒāϰāĻžāϧ⧇
    āĻŦāĻŋāϚāĻžāϰ⧇āϰ āĻŦāĻžāĻŖā§€ āύ⧀āϰāĻŦ⧇ āύāĻŋāϭ⧃āϤ⧇ āĻ•āĻžāρāĻĻ⧇āĨ¤
    āφāĻŽāĻŋ āϝ⧇ āĻĻ⧇āĻ–āĻŋāύ⧁ āϤāϰ⧁āĻŖ āĻŦāĻžāϞāĻ• āωāĻ¨ā§āĻŽāĻžāĻĻ āĻšāϝāĻŧ⧇ āϛ⧁āĻŸā§‡
    āϕ⧀ āϝāĻ¨ā§āĻ¤ā§āϰāύāĻžāϝāĻŧ āĻŽāϰ⧇āϛ⧇ āĻĒāĻžāĻĨāϰ⧇ āύāĻŋāĻˇā§āĻĢāϞ āĻŽāĻžāĻĨāĻž āϕ⧁āĻŸā§‡āĨĨ

    āĻ•āĻ¨ā§āĻ  āφāĻŽāĻžāϰ āϰ⧁āĻĻā§āϧ āφāϜāĻŋāϕ⧇, āĻŦāĻžāρāĻļāĻŋ āϏāĻ‚āĻ—ā§€āϤāĻšāĻžāϰāĻž,
    āĻ…āĻŽāĻŦāĻ¸ā§āϝāĻžāϰ āĻ•āĻžāϰāĻž
    āϞ⧁āĻĒā§āϤ āĻ•āϰ⧇āϛ⧇ āφāĻŽāĻžāϰ āϭ⧁āĻŦāύ āĻĻ⧁āσāϏāĻĒā§āύ⧇āϰ āϤāϞ⧇āĨ¤
    āϤāĻžāχ āϤ⧋ āϤ⧋āĻŽāĻžāϝāĻŧ āĻļ⧁āϧāĻžāχ āĻ…āĻļā§āϰ⧁āϜāĻ˛ā§‡â€”
    āϝāĻžāĻšāĻžāϰāĻž āϤ⧋āĻŽāĻžāϰ āĻŦāĻŋāώāĻžāχāϛ⧇ āĻŦāĻžāϝāĻŧ⧁, āύāĻŋāĻ­āĻžāχāϛ⧇ āϤāĻŦ āφāϞ⧋,
    āϤ⧁āĻŽāĻŋ āĻ•āĻŋ āϤāĻžāĻĻ⧇āϰ āĻ•ā§āώāĻŽāĻž āĻ•āϰāĻŋāϝāĻŧāĻžāĻ›, āϤ⧁āĻŽāĻŋ āĻ•āĻŋ āĻŦ⧇āϏ⧇āĻ› āĻ­āĻžāϞ⧋?

    āφāϰāĻ“ āĻĒ⧜⧁āύāσ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ⧇āϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āĻ•āĻŦāĻŋāϤāĻžāϏāĻŽā§‚āĻš

     

    Proshno Kobita Rabindranath Tagore in Bengali:

    Prosno
    Rabindranath Tagore

    Bhagaban tumi juge juge dut, patiyecho bare bare
    Doyahin songshare,
    tara bole gelo ‘Khoma koro shobe’, bole gelo valobasho
    Ontor hote Biddeshbish nasho
    Baroniyo tara, shoroniyo tara, Tabu o bahir dare
    Aaji durdine firanu tader bertho nomoskare

    Ami je dekechi gopon hingsha kopot ratrichaye
    Heneche Nisshohaye,
    Ami je dekechi protikarhin shaktir opradhe
    Bicharer bani nirobe nivrite kade
    Ami je dekhinu tarun balok unmad hoye chute
    ki jontronay moreche pathore nishfol matha kute

    kosto amar ruddho aajike, bashi songeethara
    omaboshyar kara
    Lupto koreche amar bhubon dusshoponer tole,
    tai to tumay shudhai osrujole
    jahara tumar bishaiche bayu, Nivaiche tobo alo,
    Tumi ki tader khoma koriyacho, tumi ki beshecho valo.

     

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ…āĻ­āĻŋāϏāĻžāϰ (āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āωāĻĒāϗ⧁āĻĒā§āϤ) āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ | Upagupta Poem lyrics in Bengali and English?

  1. Nibedita Paul
    Nibedita Paul
    Added an answer on May 31, 2020 at 4:32 am
    This answer was edited.

    āĻ…āĻ­āĻŋāϏāĻžāϰ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝ : āĻ•āĻĨāĻž āĻŦā§‹āϧāĻŋāϏāĻ¤ā§āϤāĻžāĻŦāĻĻāĻžāύ-āĻ•āĻ˛ā§āĻĒāϞāϤāĻž āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āωāĻĒāϗ⧁āĻĒā§āϤ āĻŽāĻĨ⧁āϰāĻžāĻĒ⧁āϰ⧀āϰ āĻĒā§āϰāĻžāĻšā§€āϰ⧇āϰ āϤāϞ⧇ āĻāĻ•āĻĻāĻž āĻ›āĻŋāϞ⧇āύ āϏ⧁āĻĒā§āϤ-- āύāĻ—āϰ⧀āϰ āĻĻā§€āĻĒ āύāĻŋāĻŦ⧇āϛ⧇ āĻĒāĻŦāύ⧇, āĻĻ⧁⧟āĻžāϰ āϰ⧁āĻĻā§āϧ āĻĒ⧌āϰ āĻ­āĻŦāύ⧇, āύāĻŋāĻļā§€āĻĨ⧇āϰ āϤāĻžāϰāĻž āĻļā§āϰāĻžāĻŦāĻŖāĻ—āĻ—āύ⧇ āϘāύ āĻŽā§‡āĻ˜ā§‡ āĻ…āĻŦāϞ⧁āĻĒā§āϤāĨ¤ (āĻ…āĻ­āĻŋāϏāĻžāϰ - āĻ…āύ⧁āϏāϰāĻŖ, āĻĒā§āϰāĻžāĻšā§€āϰ-āĻĻā§‡ā§ŸāĻžāϞ, āϏ⧁āĻĒā§āĻ¤Â  - āύāĻŋāĻĻā§āϰāĻŋāϤ, āĻĒāĻŦāύ - āĻŦāĻžāϤāĻžāϏ, āύāĻŋāĻļā§€āĻĨ- āϰāĻžāĻ¤ā§āϰāĻŋ, āϰ⧁āĻĻā§āϧ- āĻŦāĻ¨ā§āϧ, āĻ…Read more

    āĻ…āĻ­āĻŋāϏāĻžāϰ

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ 
    āĻ•āĻžāĻŦā§āϝ : āĻ•āĻĨāĻž

    āĻŦā§‹āϧāĻŋāϏāĻ¤ā§āϤāĻžāĻŦāĻĻāĻžāύ-āĻ•āĻ˛ā§āĻĒāϞāϤāĻž

    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āωāĻĒāϗ⧁āĻĒā§āϤ
    āĻŽāĻĨ⧁āϰāĻžāĻĒ⧁āϰ⧀āϰ āĻĒā§āϰāĻžāĻšā§€āϰ⧇āϰ āϤāϞ⧇
    āĻāĻ•āĻĻāĻž āĻ›āĻŋāϞ⧇āύ āϏ⧁āĻĒā§āĻ¤â€“
    āύāĻ—āϰ⧀āϰ āĻĻā§€āĻĒ āύāĻŋāĻŦ⧇āϛ⧇ āĻĒāĻŦāύ⧇,
    āĻĻ⧁⧟āĻžāϰ āϰ⧁āĻĻā§āϧ āĻĒ⧌āϰ āĻ­āĻŦāύ⧇,
    āύāĻŋāĻļā§€āĻĨ⧇āϰ āϤāĻžāϰāĻž āĻļā§āϰāĻžāĻŦāĻŖāĻ—āĻ—āύ⧇
    āϘāύ āĻŽā§‡āĻ˜ā§‡ āĻ…āĻŦāϞ⧁āĻĒā§āϤāĨ¤

    (āĻ…āĻ­āĻŋāϏāĻžāϰ – āĻ…āύ⧁āϏāϰāĻŖ, āĻĒā§āϰāĻžāĻšā§€āϰ-āĻĻā§‡ā§ŸāĻžāϞ, āϏ⧁āĻĒā§āĻ¤Â  – āύāĻŋāĻĻā§āϰāĻŋāϤ, āĻĒāĻŦāύ – āĻŦāĻžāϤāĻžāϏ, āύāĻŋāĻļā§€āĻĨ- āϰāĻžāĻ¤ā§āϰāĻŋ, āϰ⧁āĻĻā§āϧ- āĻŦāĻ¨ā§āϧ, āĻ…āĻŦāϞ⧁āĻĒā§āϤ-āĻ…āĻĻ⧃āĻļā§āϝ)

    āĻ•āĻžāĻšāĻžāϰ āύ⧂āĻĒ⧁āϰāĻļāĻŋāĻžā§āϜāĻŋāϤ āĻĒāĻĻ
    āϏāĻšāϏāĻž āĻŦāĻžāϜāĻŋāϞ āĻŦāĻ•ā§āώ⧇!
    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀āĻŦāϰ āϚāĻŽāĻ•āĻŋ āϜāĻžāĻ—āĻŋāϞ,
    āĻ¸ā§āĻŦāĻĒā§āύāϜ⧜āĻŋāĻŽāĻž āĻĒāϞāϕ⧇ āĻ­āĻžāĻ—āĻŋāϞ,
    āĻ°ā§‚ā§ āĻĻā§€āĻĒ⧇āϰ āφāϞ⧋āĻ• āϞāĻžāĻ—āĻŋāϞ
    āĻ•ā§āώāĻŽāĻžāϏ⧁āĻ¨ā§āĻĻāϰ āϚāĻ•ā§āώ⧇āĨ¤

    (āϏāĻšāϏāĻžÂ  –  āĻ…āĻ•āĻ¸ā§āĻŽāĻžā§Ž/āĻšāĻ āĻžā§Ž,  āĻŦāĻ•ā§āώ⧇ – āĻŦ⧁āϕ⧇, āύ⧂āĻĒ⧁āϰāĻļāĻŋāĻžā§āϜāĻŋāϤ- āύ⧁āĻĒ⧁āϰāĻĒāϰāĻŋāĻšāĻŋāϤ, āĻĒāĻĻ- āĻĒāĻž, āĻ°ā§‚ā§Â  – āϰ⧁āĻ•ā§āώ, āĻ•āĻ ā§‹āϰ)

    āύāĻ—āϰ⧀āϰ āύāĻŸā§€ āϚāϞ⧇ āĻ…āĻ­āĻŋāϏāĻžāϰ⧇
    āϝ⧌āĻŦāύāĻŽāĻĻ⧇ āĻŽāĻ¤ā§āϤāĻžāĨ¤
    āĻ…āĻ™ā§āĻ— āφāρāϚāϞ āϏ⧁āύ⧀āϞ āĻŦāϰāύ,
    āϰ⧁āύ⧁āĻā§āύ⧁ āϰāĻŦ⧇ āĻŦāĻžāĻœā§‡ āφāĻ­āϰāĻŖâ€“
    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀-āĻ—āĻžā§Ÿā§‡ āĻĒ⧜āĻŋāϤ⧇ āϚāϰāĻŖ
    āĻĨāĻžāĻŽāĻŋāϞ āĻŦāĻžāϏāĻŦāĻĻāĻ¤ā§āϤāĻžāĨ¤

    (āφāρāϚāϞ – āĻ•āĻžāĻĒā§œā§‡āϰ āϖ⧁āρāϟāĻŋ, āϏ⧁āύ⧀āĻ˛Â  – āĻ—āĻžā§ āύ⧀āϞ, āĻŦāϰāύ – āĻŦāĻ°ā§āĻŖ, āϰāĻŦ  – āĻļāĻŦā§āĻĻ/āĻ§ā§āĻŦāύāĻŋ, āφāĻ­āϰāĻŖÂ  – āĻ­ā§‚āώāĻŖ, āϚāϰāĻŖ – āĻĒāĻž, āĻŦāĻžāϏāĻŦ  – āĻĻ⧇āĻŦāϰāĻžāϜ āχāĻ¨ā§āĻĻā§āϰ)

    āĻĒā§āϰāĻĻā§€āĻĒ āϧāϰāĻŋ⧟āĻž āĻšā§‡āϰāĻŋāϞ āϤāĻžāρāĻšāĻžāϰ
    āύāĻŦā§€āύ āĻ—ā§ŒāϰāĻ•āĻžāĻ¨ā§āϤāĻŋ–
    āϏ⧌āĻŽā§āϝ āϏāĻšāĻžāϏ āϤāϰ⧁āĻŖ āĻŦ⧟āĻžāύ,
    āĻ•āϰ⧁āĻŖāĻžāĻ•āĻŋāϰāϪ⧇ āĻŦāĻŋāĻ•āϚ āύ⧟āĻžāύ,
    āĻļ⧁āĻ­ā§āϰ āϞāϞāĻžāĻŸā§‡ āχāĻ¨ā§āĻĻ⧁āϏāĻŽāĻžāύ
    āĻ­āĻžāϤāĻŋāϛ⧇ āĻ¸ā§āύāĻŋāĻ—ā§āϧ āĻļāĻžāĻ¨ā§āϤāĻŋāĨ¤

    (āϏ⧌āĻŽā§āĻ¯Â  – āĻļāĻžāĻ¨ā§āϤ āĻ“ āϏ⧁āĻ¨ā§āĻĻāϰ, āϏāĻšāĻžāĻ¸ā§āĻ¯Â  – āĻšāĻžāĻ¸ā§āϝāϰāϤ, āĻŦ⧟āĻžāĻ¨Â Â  – āĻŦāĻĻāύ/āĻŽā§āĻ–, āĻŦāĻŋāĻ•āĻšÂ  – āĻŦāĻŋāĻ•āĻļāĻŋāϤ, āύ⧟āĻžāύ – āύ⧟āύ, āĻļ⧁āĻ­ā§āϰ – āĻļ⧁āĻ•ā§āϞ/āϏāĻŋāϤ, āϞāϞāĻžāĻŸÂ  – āĻ…āĻĻ⧃āĻˇā§āϟ, āχāĻ¨ā§āĻĻā§Â  – āϚāĻžāρāĻĻ) 

    āĻ•āĻšāĻŋāϞ āϰāĻŽāĻŖā§€ āϞāϞāĻŋāϤ āĻ•āĻŖā§āϠ⧇,
    āύ⧟āύ⧇ āϜ⧜āĻŋāϤ āϞāĻœā§āϜāĻž,
    āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧋ āĻŽā§‹āϰ⧇ āϕ⧁āĻŽāĻžāϰ āĻ•āĻŋāĻļā§‹āϰ,
    āĻĻ⧟āĻž āĻ•āϰ⧋ āϝāĻĻāĻŋ āĻ—ā§ƒāĻšā§‡ āϚāϞ⧋ āĻŽā§‹āϰ,
    āĻ āϧāϰāĻŖā§€āϤāϞ āĻ•āĻ āĻŋāύ āĻ•āĻ ā§‹āϰ
    āĻ āύāĻšā§‡ āϤ⧋āĻŽāĻžāϰ āĻļāĻ¯ā§āϝāĻžāĨ¤â€™

    (āĻ­āĻžāϤāĻŋāϛ⧇- āĻĒā§āϰāĻŦāĻžāĻšā§‡, āϰāĻŽāĻŖā§€ -āύāĻžāϰ⧀, āϞāϞāĻŋāϤ – āϚāĻžāϰ⧁/āϏ⧁āĻ¨ā§āĻĻāϰ, āϧāϰāĻŖā§€Â  – āϧāϰāĻž/āĻĒ⧃āĻĨāĻŋāĻŦā§€)

    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻ•āĻšā§‡ āĻ•āϰ⧁āĻŖ āĻŦāϚāύ⧇,
    “āĻ…ā§ŸāĻŋ āϞāĻžāĻŦāĻŖā§āϝāĻĒ⧁āĻžā§āϜ,
    āĻāĻ–āύ⧋ āφāĻŽāĻžāϰ āϏāĻŽā§Ÿ āĻšā§Ÿ āύāĻŋ,
    āϝ⧇āĻĨāĻžā§Ÿ āϚāϞ⧇āĻ› āϝāĻžāĻ“ āϤ⧁āĻŽāĻŋ āϧāύ⧀,
    āϏāĻŽā§Ÿ āϝ⧇āĻĻāĻŋāύ āφāϏāĻŋāĻŦ⧇ āφāĻĒāύāĻŋ
    āϝāĻžāχāĻŦ āϤ⧋āĻŽāĻžāϰ āϕ⧁āĻžā§āϜ,’

    (āĻŦāϚāĻ¨Â  – āĻŦāĻžāĻ•ā§āϝ/āĻ•āĻĨāĻž, āĻ…ā§ŸāĻŋ  – āĻ“āĻ—ā§‹, āϞāĻžāĻŦāĻŖā§āĻ¯Â  – āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āϕ⧁āĻžā§āĻœÂ  – āϞāϤāĻžāĻĻāĻŋ āĻĻā§āĻŦāĻžāϰāĻž āφāĻšā§āĻ›āĻžāĻĻāĻŋāϤ āĻ—ā§ƒāĻšāĻžāĻ•āĻžāϰ āĻ¸ā§āĻĨāĻžāύ)

    āϏāĻšāϏāĻž āĻāĻžā§āĻāĻž āϤ⧜āĻŋā§ŽāĻļāĻŋāĻ–āĻžā§Ÿ
    āĻŽā§‡āϞāĻŋāϞ āĻŦāĻŋāĻĒ⧁āϞ āφāĻ¸ā§āϝāĨ¤
    āϰāĻŽāĻŖā§€ āĻ•āĻžāρāĻĒāĻŋ⧟āĻž āωāĻ āĻŋāϞ āϤāϰāĻžāϏ⧇,
    āĻĒā§āϰāϞ⧟āĻļāĻ™ā§āĻ– āĻŦāĻžāϜāĻŋāϞ āĻŦāĻžāϤāĻžāϏ⧇,
    āφāĻ•āĻžāĻļ⧇ āĻŦāĻœā§āϰ āĻ˜ā§‹āϰ āĻĒāϰāĻŋāĻšāĻžāϏ⧇
    āĻšāĻžāϏāĻŋāϞ āĻ…āĻŸā§āϟāĻšāĻžāĻ¸ā§āϝāĨ¤

    (āĻāĻžā§āĻ›āĻžÂ  – āĻĒā§āϰāĻŦāϞ āĻāϟāĻŋāĻ•āĻž, āϤ⧜āĻŋā§ŽÂ  – āĻŦāĻŋāĻĻā§ā§āĻ¯ā§Ž, āφāĻ¸ā§āĻ¯Â  – āĻŽā§āĻ–, āϤāϰāĻžāĻ¸Â  – āĻ¤ā§āϰāĻžāϏ/āϭ⧟,  āĻĒā§āϰāĻ˛ā§ŸÂ  – āϏāĻ°ā§āĻŦāĻžāĻ¤ā§āĻŽāĻ• āĻ§ā§āĻŦāĻ‚āϏ, āĻĒāϰāĻŋāĻšāĻžāĻ¸Â  – āĻ āĻžāĻŸā§āϟāĻž, āϤāĻžāĻŽāĻžāĻļāĻž)

    āĻŦāĻ°ā§āώ āϤāĻ–āύ⧋ āĻšā§Ÿ āύāĻžāχ āĻļ⧇āώ,
    āĻāϏ⧇āϛ⧇ āϚ⧈āĻ¤ā§āϰāϏāĻ¨ā§āĻ§ā§āϝāĻžāĨ¤
    āĻŦāĻžāϤāĻžāϏ āĻšā§Ÿā§‡āϛ⧇ āωāϤāϞāĻž āφāϕ⧁āϞ,
    āĻĒāĻĨāϤāϰ⧁āĻļāĻžāϖ⧇ āϧāϰ⧇āϛ⧇ āĻŽā§āϕ⧁āϞ,
    āϰāĻžāϜāĻžāϰ āĻ•āĻžāύāύ⧇ āĻĢ⧁āĻŸā§‡āϛ⧇ āĻŦāϕ⧁āϞ
    āĻĒāĻžāϰ⧁āϞ āϰāϜāύ⧀āĻ—āĻ¨ā§āϧāĻžāĨ¤

    (āϤāĻ°ā§Â  –  āĻŦ⧃āĻ•ā§āώ/ āĻ—āĻžāĻ›, āĻ•āĻžāύāĻ¨Â  – āĻŦāĻžāĻ—āĻžāύ, āĻŽā§āϕ⧁āĻ˛Â  – āĻ•āϞāĻŋāĻ•āĻž/āϕ⧁āρ⧜āĻŋ)

    āĻ…āϤāĻŋ āĻĻā§‚āϰ āĻšāϤ⧇ āφāϏāĻŋāϛ⧇ āĻĒāĻŦāύ⧇
    āĻŦāĻžāρāĻļāĻŋāϰ āĻŽāĻĻāĻŋāϰ āĻŽāĻ¨ā§āĻĻā§āϰāĨ¤
    āϜāύāĻšā§€āύ āĻĒ⧁āϰ⧀, āĻĒ⧁āϰāĻŦāĻžāϏ⧀ āϏāĻŦ⧇
    āϗ⧇āϛ⧇ āĻŽāϧ⧁āĻŦāύ⧇ āĻĢ⧁āϞ-āĻ‰ā§ŽāϏāĻŦā§‡â€“
    āĻļā§‚āĻ¨ā§āϝ āύāĻ—āϰ⧀ āύāĻŋāϰāĻ–āĻŋ āύ⧀āϰāĻŦ⧇
    āĻšāĻžāϏāĻŋāϛ⧇ āĻĒā§‚āĻ°ā§āĻŖāϚāĻ¨ā§āĻĻā§āϰāĨ¤

    ( āĻŽāĻ¨ā§āĻĻā§āĻ°Â  – āĻ—āĻŽā§āĻ­ā§€āϰ āĻ§ā§āĻŦāύāĻŋ, āĻĒ⧁āĻ°ā§€Â Â  – āĻ—ā§ƒāĻš/āĻ­āĻŦāύ āĻ¸ā§āĻŦāĻ°ā§āĻŖāĻĒ⧁āϰ⧀)

    āύāĻŋāĻ°ā§āϜāύ āĻĒāĻĨ⧇ āĻœā§āĻ¯ā§‹ā§ŽāĻ¸ā§āύāĻž-āφāϞ⧋āϤ⧇
    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻāĻ•āĻž āϝāĻžāĻ¤ā§āϰ⧀āĨ¤
    āĻŽāĻžāĻĨāĻžāϰ āωāĻĒāϰ⧇ āϤāϰ⧁āĻŦā§€āĻĨāĻŋāĻ•āĻžāϰ
    āϕ⧋āĻ•āĻŋāϞ āϕ⧁āĻšāϰāĻŋ āωāϠ⧇ āĻŦāĻžāϰāĻŦāĻžāϰ,
    āĻāϤāĻĻāĻŋāύ āĻĒāϰ⧇ āĻāϏ⧇āϛ⧇ āĻ•āĻŋ āϤāĻžāρāϰ
    āφāϜāĻŋ āĻ…āĻ­āĻŋāϏāĻžāϰāϰāĻžāĻ¤ā§āϰāĻŋ?

    (āĻŦā§€āĻĨā§€Â Â  – āĻļā§āϰ⧇āĻŖā§€, āϏāĻžāϰāĻŋ)

    āύāĻ—āϰ āĻ›āĻžā§œāĻžā§Ÿā§‡ āϗ⧇āϞ⧇āύ āĻĻāĻŖā§āĻĄā§€
    āĻŦāĻžāĻšāĻŋāϰāĻĒā§āϰāĻžāĻšā§€āϰāĻĒā§āϰāĻžāĻ¨ā§āϤ⧇āĨ¤
    āĻĻāĻžāρ⧜āĻžāϞ⧇āύ āφāϏāĻŋ āĻĒāϰāĻŋāĻ–āĻžāϰ āĻĒāĻžāĻ°ā§‡â€“
    āφāĻŽā§āϰāĻŦāύ⧇āϰ āĻ›āĻžā§ŸāĻžāϰ āφāρāϧāĻžāϰ⧇
    āϕ⧇ āĻ“āχ āϰāĻŽāĻŖā§€ āĻĒâ€™ā§œā§‡ āĻāĻ• āϧāĻžāϰ⧇
    āϤāĻžāρāĻšāĻžāϰ āϚāϰāĻŖā§‹āĻĒā§āϰāĻžāĻ¨ā§āϤ⧇!

    (āφāĻŽā§āĻ°Â Â  – āφāĻŽ)

    āύāĻŋāĻĻāĻžāϰ⧁āĻŖ āϰ⧋āϗ⧇ āĻŽāĻžāϰ⧀āϗ⧁āϟāĻŋāĻ•āĻžā§Ÿ
    āĻ­āϰ⧇ āϗ⧇āϛ⧇ āϤāĻžāϰ āĻ…āĻ™ā§āĻ—â€“
    āϰ⧋āĻ—āĻŽāϏ⧀ āĻĸāĻžāϞāĻž āĻ•āĻžāϞ⧀ āϤāύ⧁ āϤāĻžāϰ
    āĻ˛ā§Ÿā§‡ āĻĒā§āϰāϜāĻžāĻ—āϪ⧇ āĻĒ⧁āϰāĻĒāϰāĻŋāĻ–āĻžāϰ
    āĻŦāĻžāĻšāĻŋāϰ⧇ āĻĢ⧇āϞ⧇āϛ⧇, āĻ•āϰāĻŋ’ āĻĒāϰāĻŋāĻšāĻžāϰ
    āĻŦāĻŋāώāĻžāĻ•ā§āϤ āϤāĻžāϰ āϏāĻ™ā§āĻ—āĨ¤

    (āϤāύ⧁,- āĻĻ⧇āĻš/āĻļāϰ⧀āϰ, āĻĒāϰāĻŋāĻšāĻžāϰ – āĻŦāĻ°ā§āϜāύ/āĻ¤ā§āϝāĻžāĻ—,  āϗ⧁āϟāĻŋ-āϗ⧁āϟāĻŋāĻ•āĻž-  āϛ⧋āϟ āĻĻāĻžāύāĻž/ āĻŦāϏāĻ¨ā§āϤ āϰ⧋āϗ⧇āϰ āĻŦā§āϰāĻŖ)

    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻŦāϏāĻŋ āĻ†ā§œāĻˇā§āϟ āĻļāĻŋāϰ
    āϤ⧁āϞāĻŋ āύāĻŋāϞ āύāĻŋāϜ āĻ…āĻ™ā§āĻ•ā§‡â€“
    āĻĸāĻžāϞāĻŋ āĻĻāĻŋāϞ āϜāϞ āĻļ⧁āĻˇā§āĻ• āĻ…āϧāϰ⧇,
    āĻŽāĻ¨ā§āĻ¤ā§āϰ āĻĒ⧜āĻŋ⧟āĻž āĻĻāĻŋāϞ āĻļāĻŋāϰ-‘āĻĒāϰ⧇,
    āϞ⧇āĻĒāĻŋ āĻĻāĻŋāϞ āĻĻ⧇āĻš āφāĻĒāύāĻžāϰ āĻ•āϰ⧇
    āĻļā§€āϤāϚāĻ¨ā§āĻĻāύāĻĒāĻ™ā§āϕ⧇āĨ¤
    āĻāϰāĻŋāϛ⧇ āĻŽā§āϕ⧁āϞ, āϕ⧂āϜāĻŋāϛ⧇ āϕ⧋āĻ•āĻŋāϞ,
    āϝāĻžāĻŽāĻŋāύ⧀ āĻœā§‹āĻ›āύāĻžāĻŽāĻ¤ā§āϤāĻžāĨ¤

    (āĻ†ā§œāĻˇā§āϟ – āĻ…āϏāĻžā§œ/ āϜ⧜,  āĻ…āϧāϰ – āĻ ā§‹āρāϟ/āύāĻŋāĻšā§‡āϰ āĻ ā§‹āρāϟ, āϝāĻžāĻŽāĻŋāĻ¨ā§€Â Â  – āϰāĻžāĻ¤ā§āϰāĻŋ)

    “āϕ⧇ āĻāϏ⧇āĻ› āϤ⧁āĻŽāĻŋ āĻ“āĻ—ā§‹ āĻĻ⧟āĻžāĻŽā§Ÿâ€™
    āĻļ⧁āϧāĻžāχāϞ āύāĻžāϰ⧀, āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻ•ā§Ÿâ€“
    “āφāϜāĻŋ āϰāϜāύ⧀āϤ⧇ āĻšā§Ÿā§‡āϛ⧇ āϏāĻŽā§Ÿ,
    āĻāϏ⧇āĻ›āĻŋ āĻŦāĻžāϏāĻŦāĻĻāĻ¤ā§āϤāĻž!’

    English Transliteration:

    Abhishar
    Rabindranath tagore

    Bodhisottabadon-kolpona
    Sonnyashi upogupto
    Mothurapurir prachirer tole
    Ekoda chilen supto–
    nogorir deel nibeche pobone,
    Duar ruddha pouro bhobone,
    Nishither tara srabongogone
    Ghono meg obolupto.

    Kahar nupurshingit pod
    Sohosha bajilo bokke!
    Sonnyashibor chomki jagilo,
    Shopnojorima poloke bhagilo,
    Ruro deeper alok lagilo
    Khomashundar chokke.
    Nogorir noti chole abhisare
    Joubonmode motta.
    Ongi anchal sunil boron,
    Runujhunu robe baje aboron–
    Sonnyashi-gaye porite choron
    Thamilo basbodotta.
    Prodip dhoriya herilo tahar
    Nobin gourokanti–
    Soummya sahosh torun boyan,
    Korunakirone bikocho noyan,
    Shubro lolate indusoman
    Bhatiche snighdha shanti.
    Kohilo romoni lolito khonte,
    Noyone jorito lojja,
    Khoma koro more kumar kishor,
    Doya koro jodi grihe cholo mor,
    E dhoronitol kothin kothor
    E nohe tomar shojjya.
    Sonnyashi kohe torun bichone,
    “Oyi labonnyapunjo,
    Ekhono amar somoy hoy ni,
    Jethay cholche jao tumi dhoni,
    Somoy jedin ashibe apni
    Jaibi tumar kunjo,
    Sohisha jhonjha toritshikhay
    Melilo bipul ashhya.
    Romoni kapiya uthilo torashe,
    Proloyoshongho bajilo batashe,
    Akashe bojro ghor porihashe
    hashilo ottohashya.
    â€Ļâ€Ļ
    Borsho tokhono hoy ni sesh,
    Esheche choitrosondhya.
    Batash hoyeche utola akul,
    Pothotorushakhe dhoreche mukul,
    Rajar kanone futeche bokul
    Parul rojonigondha .
    Oti duur hote ashiche pobone
    Bashir modir mondro.
    Jonohin puri, purobashi sobe
    Geche modhubone ful-utshobe–
    Sunnyo nogori nirkhi nirobe
    Hashiche purnochondro.
    Nirjon pothe jyotsna-alote
    Sonnyashi ek jatri.
    Mathar upore torubithikar
    Kokil khori uthe barbar,
    Etodin pore esheche ki tar
    Aji abhisharratri?
    Nogor charay gelen dondi
    Bahirprachirprante.
    Daralen ashi porikhar pare–
    Amroboner chayar adhare
    Ke oi romoni pore ek dhare
    Tahar choronoprante!
    Nidarun roge marigutikay
    Bhore geche tar songe–
    Rogmoshidhala kali tonu tar
    Loye projagone puroporikhar
    Bahire feleche, kori porihar
    Bishakto tar songo.
    Sonnyashi boshi arosto shir
    Tuli nilo nij onke–
    Dhali dilo jol shusko odhore,
    Montro poriya dilo shir pore,
    Lepi dilo deho apnar kore
    Shitchandanponghe.
    Jhoriche mukul, kujiche kokil,
    Jamini jochnamotta.
    “Ke eshecho tumi ogo doyamoy”
    Sudhailo nari, sonnyashi koy–
    “Ani rojonite hoyeche somoy,
    Eshechi bashobodotta!”

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āĻŽā§‚āĻ˛ā§āϝāĻĒā§āϰāĻžāĻĒā§āϤāĻŋ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Mulya Prapti Poem in Bengali?

  1. Nibedita Paul
    Nibedita Paul
    Added an answer on July 9, 2020 at 1:31 am
    This answer was edited.

    āĻŽā§‚āĻ˛ā§āϝāĻĒā§āϰāĻžāĻĒā§āϤāĻŋ -āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ…āĻŦāĻĻāĻžāύāĻļāϤāĻ• āĻ…āĻ˜ā§āϰāĻžāϪ⧇ āĻļā§€āϤ⧇āϰ āϰāĻžāϤ⧇ āύāĻŋāĻˇā§āϠ⧁āϰ āĻļāĻŋāĻļāĻŋāϰāϘāĻžāϤ⧇āĻĒāĻĻā§āĻŽāϗ⧁āϞāĻŋ āĻ—āĻŋ⧟āĻžāϛ⧇ āĻŽāϰāĻŋ⧟āĻž--āϏ⧁āĻĻāĻžāϏ āĻŽāĻžāϞ⧀āϰ āϘāϰ⧇ āĻ•āĻžāύāύ⧇āϰ āϏāϰ⧋āĻŦāϰ⧇āĻāĻ•āϟāĻŋ āĻĢ⧁āĻŸā§‡āϛ⧇ āϕ⧀ āĻ•āϰāĻŋ⧟āĻžāĨ¤āϤ⧁āϞāĻŋ āĻ˛ā§Ÿā§‡ āĻŦ⧇āϚāĻŋāĻŦāĻžāϰ⧇ āϗ⧇āϞ āϏ⧇ āĻĒā§āϰāĻžāϏāĻžāĻĻāĻĻā§āĻŦāĻžāϰ⧇,āĻŽāĻžāĻ—āĻŋāϞ āϰāĻžāϜāĻžāϰ āĻĻāϰāĻļāύ--āĻšā§‡āύāĻ•āĻžāϞ⧇ āĻšā§‡āϰāĻŋ āĻĢ⧁āϞ āφāύāĻ¨ā§āĻĻ⧇ āĻĒ⧁āϞāĻ•āĻžāϕ⧁āϞāĻĒāĻĨāĻŋāĻ• āĻ•āĻšāĻŋāϞ āĻāĻ•āϜāύ,"āĻ…āĻ•āĻžāϞ⧇āϰ āĻĒāĻĻā§āĻŽ āϤāĻŦ āφāĻŽāĻŋ āĻāϟāĻŋ āĻ•āĻŋāύāĻŋ āϞāĻŦ,āĻ•āϤ āĻŽā§‚āĻ˛ā§āϝ āϞāχāĻŦ⧇Read more

    āĻŽā§‚āĻ˛ā§āϝāĻĒā§āϰāĻžāĻĒā§āϤāĻŋ

    -āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ

    āĻ…āĻŦāĻĻāĻžāύāĻļāϤāĻ•

    āĻ…āĻ˜ā§āϰāĻžāϪ⧇ āĻļā§€āϤ⧇āϰ āϰāĻžāϤ⧇ āύāĻŋāĻˇā§āϠ⧁āϰ āĻļāĻŋāĻļāĻŋāϰāϘāĻžāϤ⧇
    āĻĒāĻĻā§āĻŽāϗ⧁āϞāĻŋ āĻ—āĻŋ⧟āĻžāϛ⧇ āĻŽāϰāĻŋ⧟āĻžâ€“
    āϏ⧁āĻĻāĻžāϏ āĻŽāĻžāϞ⧀āϰ āϘāϰ⧇ āĻ•āĻžāύāύ⧇āϰ āϏāϰ⧋āĻŦāϰ⧇
    āĻāĻ•āϟāĻŋ āĻĢ⧁āĻŸā§‡āϛ⧇ āϕ⧀ āĻ•āϰāĻŋ⧟āĻžāĨ¤
    āϤ⧁āϞāĻŋ āĻ˛ā§Ÿā§‡ āĻŦ⧇āϚāĻŋāĻŦāĻžāϰ⧇ āϗ⧇āϞ āϏ⧇ āĻĒā§āϰāĻžāϏāĻžāĻĻāĻĻā§āĻŦāĻžāϰ⧇,
    āĻŽāĻžāĻ—āĻŋāϞ āϰāĻžāϜāĻžāϰ āĻĻāϰāĻļāĻ¨â€“
    āĻšā§‡āύāĻ•āĻžāϞ⧇ āĻšā§‡āϰāĻŋ āĻĢ⧁āϞ āφāύāĻ¨ā§āĻĻ⧇ āĻĒ⧁āϞāĻ•āĻžāϕ⧁āϞ
    āĻĒāĻĨāĻŋāĻ• āĻ•āĻšāĻŋāϞ āĻāĻ•āϜāύ,
    “āĻ…āĻ•āĻžāϞ⧇āϰ āĻĒāĻĻā§āĻŽ āϤāĻŦ āφāĻŽāĻŋ āĻāϟāĻŋ āĻ•āĻŋāύāĻŋ āϞāĻŦ,
    āĻ•āϤ āĻŽā§‚āĻ˛ā§āϝ āϞāχāĻŦ⧇ āχāĻšāĻžāϰ?
    āĻŦ⧁āĻĻā§āϧ āĻ­āĻ—āĻŦāĻžāύ āφāϜ āĻāϏ⧇āϛ⧇āύ āĻĒ⧁āϰāĻŽāĻžāĻ
    āϤāĻžāρāϰ āĻĒāĻžā§Ÿā§‡ āĻĻāĻŋāĻŦ āωāĻĒāĻšāĻžāϰāĨ¤
    ‘āĻŽāĻžāϞ⧀ āĻ•āĻšā§‡, “āĻāĻ• āĻŽāĻžāώāĻž āĻ¸ā§āĻŦāĻ°ā§āĻŖ āĻĒāĻžāĻŦ āĻŽāύ⧇ āφāĻļāĻžāĨ¤â€™
    āĻĒāĻĨāĻŋāĻ• āϚāĻžāĻšāĻŋāϞ āϤāĻžāĻšāĻž āĻĻāĻŋāĻ¤ā§‡â€“
    āĻšā§‡āύāĻ•āĻžāϞ⧇ āϏāĻŽāĻžāϰ⧋āĻšā§‡ āĻŦāĻšā§ āĻĒā§‚āϜāĻž-āĻ…āĻ°ā§āĻ˜ā§āϝ āĻŦāĻšā§‡
    āύ⧃āĻĒāϤāĻŋ āĻŦāĻžāĻšāĻŋāϰ⧇ āφāϚāĻŽā§āĻŦāĻŋāϤ⧇āĨ¤
    āϰāĻžāĻœā§‡āĻ¨ā§āĻĻā§āϰ āĻĒā§āϰāϏ⧇āύāϜāĻŋā§Ž āωāĻšā§āϚāĻžāϰāĻŋ āĻŽāĻ™ā§āĻ—āϞāĻ—ā§€āϤ
    āϚāϞ⧇āϛ⧇āύ āĻŦ⧁āĻĻā§āϧāĻĻāϰāĻļāĻ¨ā§‡â€“
    āĻšā§‡āϰāĻŋ āĻ…āĻ•āĻžāϞ⧇āϰ āĻĢ⧁āϞ āĻļ⧁āϧāĻžāϞ⧇āύ, “āĻ•āϤ āĻŽā§‚āϞ?
    āĻ•āĻŋāύāĻŋ āĻĻāĻŋāĻŦ āĻĒā§āϰāϭ⧁āϰ āϚāϰāϪ⧇āĨ¤
    ‘āĻŽāĻžāϞ⧀ āĻ•āĻšā§‡, “āĻšā§‡ āϰāĻžāϜāĻ¨ā§â€Œ, āĻ¸ā§āĻŦāĻ°ā§āĻŖāĻŽāĻžāώāĻž āĻĻāĻŋā§Ÿā§‡ āĻĒāĻŖ
    āĻ•āĻŋāύāĻŋāϛ⧇āύ āĻāχ āĻŽāĻšāĻžāĻļ⧟āĨ¤â€™
    “āĻĻāĻļ āĻŽāĻžāώāĻž āĻĻāĻŋāĻŦ āφāĻŽāĻŋ’ āĻ•āĻšāĻŋāϞāĻž āϧāϰāĻŖā§€āĻ¸ā§āĻŦāĻžāĻŽā§€,
    “āĻŦāĻŋāĻļ āĻŽāĻžāώāĻž āĻĻāĻŋāĻŦ’ āĻĒāĻžāĻ¨ā§āĻĨāĻ•ā§ŸāĨ¤
    āĻĻā§‹āρāĻšā§‡ āĻ•āĻšā§‡ “āĻĻ⧇āĻšā§‹ āĻĻ⧇āĻšā§‹â€™, āĻšāĻžāϰ āύāĻžāĻšāĻŋ āĻŽāĻžāύ⧇ āϕ⧇āĻšâ€“
    āĻŽā§‚āĻ˛ā§āϝ āĻŦā§‡ā§œā§‡ āĻ“āϠ⧇ āĻ•ā§āϰāĻŽāĻžāĻ—āϤāĨ¤
    āĻŽāĻžāϞ⧀ āĻ­āĻžāĻŦ⧇ āϝāĻžāρāϰ āϤāϰ⧇ āĻ āĻĻā§‹āρāĻšā§‡ āĻŦāĻŋāĻŦāĻžāĻĻ āĻ•āϰ⧇
    āϤāĻžāρāϰ⧇ āĻĻāĻŋāϞ⧇ āφāϰ⧋ āĻĒāĻžāĻŦ āĻ•āϤ!
    āĻ•āĻšāĻŋāϞ āϏ⧇ āĻ•āϰāĻœā§‹ā§œā§‡, “āĻĻ⧟āĻž āĻ•āϰ⧇ āĻ•ā§āώāĻŽ āĻŽā§‹āĻ°ā§‡â€“
    āĻ āĻĢ⧁āϞ āĻŦ⧇āϚāĻŋāϤ⧇ āύāĻžāĻšāĻŋ āĻŽāύāĨ¤
    ‘āĻāϤ āĻŦāϞāĻŋ āϛ⧁āϟāĻŋāϞ āϏ⧇ āϝ⧇āĻĨāĻž āĻ°ā§Ÿā§‡āϛ⧇āύ āĻŦāϏ⧇
    āĻŦ⧁āĻĻā§āϧāĻĻ⧇āĻŦ āωāϜāϞāĻŋ āĻ•āĻžāύāύāĨ¤
    āĻŦāϏ⧇āϛ⧇āύ āĻĒāĻĻā§āĻŽāĻžāϏāύ⧇ āĻĒā§āϰāϏāĻ¨ā§āύ āĻĒā§āϰāĻļāĻžāĻ¨ā§āϤ āĻŽāύ⧇,
    āύāĻŋāϰāĻžā§āϜāύ āφāύāĻ¨ā§āĻĻāĻŽā§‚āϰāϤāĻŋāĨ¤
    āĻĻ⧃āĻˇā§āϟāĻŋ āĻšāϤ⧇ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻāϰ⧇, āĻ¸ā§āĻĢ⧁āϰāĻŋāϛ⧇ āĻ…āϧāϰ-‘āĻĒāϰ⧇
    āĻ•āϰ⧁āĻŖāĻžāϰ āϏ⧁āϧāĻžāĻšāĻžāĻ¸ā§āϝāĻœā§āϝ⧋āϤāĻŋāĨ¤
    āϏ⧁āĻĻāĻžāϏ āϰāĻšāĻŋāϞ āϚāĻžāĻšāĻŋ– āύ⧟āύ⧇ āύāĻŋāĻŽā§‡āώ āύāĻžāĻšāĻŋ,
    āĻŽā§āϖ⧇ āϤāĻžāϰ āĻŦāĻžāĻ•ā§āϝ āύāĻžāĻšāĻŋ āϏāϰ⧇āĨ¤
    āϏāĻšāϏāĻž āĻ­ā§‚āϤāϞ⧇ āĻĒ⧜āĻŋ āĻĒāĻĻā§āĻŽāϟāĻŋ āϰāĻžāĻ–āĻŋāϞ āϧāϰāĻŋ
    āĻĒā§āϰāϭ⧁āϰ āϚāϰāĻŖāĻĒāĻĻā§āĻŽ-‘āĻĒāϰ⧇āĨ¤
    āĻŦāϰāώāĻŋ āĻ…āĻŽā§ƒāϤāϰāĻžāĻļāĻŋ āĻŦ⧁āĻĻā§āϧ āĻļ⧁āϧāĻžāϞ⧇āύ āĻšāĻžāϏāĻŋ,
    ‘āĻ•āĻšā§‹ āĻŦā§ŽāϏ, āϕ⧀ āϤāĻŦ āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻžāĨ¤
    ‘āĻŦā§āϝāĻžāϕ⧁āϞ āϏ⧁āĻĻāĻžāϏ āĻ•āĻšā§‡, “āĻĒā§āϰāϭ⧁, āφāϰ āĻ•āĻŋāϛ⧁ āύāĻšā§‡,
    āϚāϰāϪ⧇āϰ āϧ⧂āϞāĻŋ āĻāĻ• āĻ•āĻŖāĻžāĨ¤â€™

    Mulya Prapti Poem in Bengali

    Mullyoprapti

    Rabindranath Tagore

    Oghrane shiter rate nisthur raate
    Podmoguli giyache moria
    Sudash malir ghoreKanoner sorobore
    Ekti futeche ki koria
    Tuli loye bechibare gelo se proshaddhare
    magilo Rajar dorshon.
    henokale heri ful Aanonde pulkakul
    Pothik kohilo ekjon,
    ‘okaler podmo tobo ami eti kine lobo
    Koto mullyo hoibe ihar
    Budha Bhogoban aaj esechen puromajh
    Tar paye dibo upohar.
    mali kohe, “ek masha shorno pabe mone asha”
    Pothik chahilo taha dite
    Henokale somaruhe bahu puja-orgyo bohe
    Nripoti bahire aachombito
    Rajendra Prosenjit ucchari mongolgeet
    Cholechen budha dorshone-
    Heri okaler ful shudhalen, “koto mul”?
    Kini dibo prabhur chorone.
    Mali kohe, “he rajon shornomasha diye pon
    Kinichen ei mohashoy.
    “Dash masha dibo aami” kohila dhoronishami,
    “bish masha dibo” pantokoy.
    Duhe kohe “deho deho’, E duhe bibad kore
    Mullyo bere uthe kromagata
    Mali bhabe jar tore e duhe bibad kore
    tare dile aaro pabo koto!
    Kohilo sae korojure, “doya kore khomo more”
    E ful bechite nahi mono’
    Eto bole chutilo she jetha royechen boshe
    Buddhadeb ujli kanan.
    Boshechen poddashone proshonno proshanto mone,
    Nironjon Anandomurti
    dristi hote santi jhore, sfuriche odhor-pore
    Karunar sudha-hashyo-jyoti
    Sudash rohilo chahi- noyone nimesh nahi
    Mukhe tar bakyo nahi shore.
    Sohosha bhutole pori poddoti rakhilo dhori
    Pabhur choronpoddo pore
    Baroshi omrito rashi buddha sudhalen hashi
    “koho botsho ki taba prarthona”.
    Byakul sudash kohe, “prabhu ar kichu nohe,
    Choroner dhuli ek kona’.

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āĻĒā§‚āϜāĻžāϰāĻŋāύ⧀ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Pujarini Poem by Rabindranath Tagore in Bengali?

  1. Nibedita Paul
    Nibedita Paul
    Added an answer on August 20, 2020 at 10:12 pm

    āĻĒā§‚āϜāĻžāϰāĻŋāύ⧀ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ- āĻ•āĻĨāĻž āϤāĻžāϰāĻŋāĻ– - ā§§ā§Ž āφāĻļā§āĻŦāĻŋāύ, ā§§ā§Šā§Ļā§Ŧ   (āĻ…āĻŦāĻĻāĻžāύ āĻļāϤāĻ•) āύ⧃āĻĒāϤāĻŋ āĻŦāĻŋāĻŽā§āĻŦāĻŋāϏāĻžāϰ āύāĻŽāĻŋāϝāĻŧāĻž āĻŦ⧁āĻĻā§āϧ⧇ āĻŽāĻžāĻ—āĻŋāϝāĻŧāĻž āϞāχāϞāĻž āĻĒāĻžāĻĻ-āύāĻ–-āĻ•āĻŖāĻž āϤāĻžāρāϰāĨ¤ āĻ¸ā§āĻĨāĻžāĻĒāĻŋāϝāĻŧāĻž āύāĻŋāϭ⧃āϤ āĻĒā§āϰāĻžāϏāĻžāĻĻ-āĻ•āĻžāύāύ⧇ āϤāĻžāĻšāĻžāϰāĻŋ āωāĻĒāϰ⧇ āϰāϚāĻŋāϞāĻž āϝāϤāύ⧇ āĻ…āϤāĻŋ āĻ…āĻĒāϰ⧂āĻĒ āĻļāĻŋāϞāĻžāĻŽāϝāĻŧ āĻ¸ā§āϤ⧂āĻĒ āĻļāĻŋāĻ˛ā§āĻĒāĻļā§‹āĻ­āĻžāϰ āϏāĻžāϰ āĨ¤ āϏāĻ¨ā§āĻ§ā§āϝāĻžāĻŦ⧇āϞāĻžāϝāĻŧ āĻļ⧁āϚāĻŋāĻŦāĻžāϏ āĻĒāϰāĻŋ āϰāĻžāϜāĻŦāϧ⧂ āϰāĻžāϜāĻŦāĻžāϞāĻž āφāϏāĻŋāϤ⧇āύ, āĻĢ⧁āϞ āϏāĻžāϜāĻžāϝāĻŧRead more

    āĻĒā§‚āϜāĻžāϰāĻŋāύ⧀

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ
    āĻ•āĻžāĻŦā§āϝāĻ—ā§āϰāĻ¨ā§āĻĨ- āĻ•āĻĨāĻž
    āϤāĻžāϰāĻŋāĻ– – ā§§ā§Ž āφāĻļā§āĻŦāĻŋāύ, ā§§ā§Šā§Ļā§Ŧ

     

    (āĻ…āĻŦāĻĻāĻžāύ āĻļāϤāĻ•)

    āύ⧃āĻĒāϤāĻŋ āĻŦāĻŋāĻŽā§āĻŦāĻŋāϏāĻžāϰ
    āύāĻŽāĻŋāϝāĻŧāĻž āĻŦ⧁āĻĻā§āϧ⧇ āĻŽāĻžāĻ—āĻŋāϝāĻŧāĻž āϞāχāϞāĻž
    āĻĒāĻžāĻĻ-āύāĻ–-āĻ•āĻŖāĻž āϤāĻžāρāϰāĨ¤
    āĻ¸ā§āĻĨāĻžāĻĒāĻŋāϝāĻŧāĻž āύāĻŋāϭ⧃āϤ āĻĒā§āϰāĻžāϏāĻžāĻĻ-āĻ•āĻžāύāύ⧇
    āϤāĻžāĻšāĻžāϰāĻŋ āωāĻĒāϰ⧇ āϰāϚāĻŋāϞāĻž āϝāϤāύ⧇
    āĻ…āϤāĻŋ āĻ…āĻĒāϰ⧂āĻĒ āĻļāĻŋāϞāĻžāĻŽāϝāĻŧ āĻ¸ā§āϤ⧂āĻĒ
    āĻļāĻŋāĻ˛ā§āĻĒāĻļā§‹āĻ­āĻžāϰ āϏāĻžāϰ āĨ¤
    āϏāĻ¨ā§āĻ§ā§āϝāĻžāĻŦ⧇āϞāĻžāϝāĻŧ āĻļ⧁āϚāĻŋāĻŦāĻžāϏ āĻĒāϰāĻŋ
    āϰāĻžāϜāĻŦāϧ⧂ āϰāĻžāϜāĻŦāĻžāϞāĻž
    āφāϏāĻŋāϤ⧇āύ, āĻĢ⧁āϞ āϏāĻžāϜāĻžāϝāĻŧ⧇ āĻĄāĻžāϞāĻžāϝāĻŧ
    āĻ¸ā§āϤ⧂āĻĒāĻĒāĻĻāĻŽā§‚āϞ⧇ āϏ⧋āύāĻžāϰ āĻĨāĻžāϞāĻžāϝāĻŧ
    āφāĻĒāύāĻžāϰ āĻšāĻžāϤ⧇ āĻĻāĻŋāϤ⧇āύ āĻœā§āĻŦāĻžāϞāĻžāϝāĻŧ⧇
    āĻ•āύāĻ• āĻĒā§āϰāĻĻā§€āĻĒāĻŽāĻžāϞāĻž āĨ¤

    āĻ…āϜāĻžāϤ āĻļāĻ¤ā§āϰ⧁ āϰāĻžāϜāĻž āĻšā§‹āϞ⧋ āϝāĻŦ⧇
    āĻĒāĻŋāϤāĻžāϰ āφāϏāύ⧇ āφāϏāĻŋ
    āĻĒāĻŋāϤāĻžāϰ āϧāĻ°ā§āĻŽ āĻļā§‹āĻŖāĻŋāϤ⧇āϰ āĻ¸ā§āϰ⧋āϤ⧇
    āĻŽā§āĻ›āĻŋāϝāĻŧāĻž āĻĢ⧇āϞāĻŋāϞ āϰāĻžāϜāĻĒ⧁āϰ⧀ āĻšāϤ⧇

    āϏāρāĻĒāĻŋāϞ āϝāĻœā§āĻž-āĻ…āύāϞ-āφāϞ⧋āϤ⧇
    āĻŦ⧌āĻĻā§āϧ-āĻļāĻžāĻ¸ā§āĻ¤ā§āϰāϰāĻžāĻļāĻŋāĨ¤
    āĻ•āĻšāĻŋāϞāĻž āĻĄāĻžāĻ•āĻŋāϝāĻŧāĻž āĻ…āϜāĻžāϤāĻļāĻ¤ā§āϰ⧁
    āϰāĻžāϜāĻĒ⧁āϰāύāĻžāϰ⧀ āϏāĻŦ⧇,—
    āĻŦ⧇āĻĻ āĻŦā§āϰāĻžāĻšā§āĻŽāĻŖ āϰāĻžāϜāĻž āĻ›āĻžāĻĄāĻŧāĻž āφāϰ
    āĻ•āĻŋāϛ⧁ āύāĻžāχ āĻ­āĻŦ⧇ āĻĒ⧁āϜāĻž āĻ•āϰāĻŋāĻŦāĻžāϰ
    āĻāχ āĻ•â€™āϟāĻŋ āĻ•āĻĨāĻž āĻœā§‡āύ⧋ āĻŽāύ⧇ āϏāĻžāĻ°â€”
    āϭ⧁āϞāĻŋāϞ⧇ āĻŦāĻŋāĻĒāĻĻ āĻšāĻŦ⧇āĨ¤

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    āϏ⧇āĻĻāĻŋāύ āĻļāĻžāϰāĻĻ-āĻĻāĻŋāĻŦāĻž-āĻ…āĻŦāϏāĻžāύ,—
    āĻļā§ā§°ā§€āĻŽāϤ⧀ āύāĻžāĻŽā§‡ āϏ⧇ āĻĻāĻžāϏ⧀
    āĻĒ⧁āĻŖā§āϝāĻļā§€āϤāϞ āϏāϞāĻŋāϞ⧇ āύāĻžāĻšāĻŋāϝāĻŧāĻž
    āĻĒ⧁āĻˇā§āĻĒ āĻĒā§āϰāĻĻā§€āĻĒ āĻĨāĻžāϞāĻžāϝāĻŧ āĻŦāĻžāĻšāĻŋāϝāĻŧ⧎
    āϰāĻžāϜāĻŽāĻšāĻŋāώ⧀āϰ āϚāϰāϪ⧇ āϚāĻžāĻšāĻŋāϝāĻŧāĻž
    āύ⧀āϰāĻŦ⧇ āĻĻāĻžāρāĻĄāĻŧāĻžāϞ āφāϏāĻŋāĨ¤
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    āĻ āĻ•āĻĨāĻž āύāĻžāĻšāĻŋ āĻ•āĻŋ āĻŽāύ⧇
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    āĻ¸ā§āϤ⧂āĻĒ⧇ āϝ⧇ āĻ•āϰāĻŋāĻŦ⧇ āĻ…ā§°ā§āĻ˜ā§āϝāϰāϚāύāĻž
    āĻļā§‚āϞ⧇āϰ āωāĻĒāϰ⧇ āĻŽāϰāĻŋāĻŦ⧇ āϏ⧇ āϜāύāĻž
    āĻ…āĻĨāĻŦāĻž āύāĻŋāĻ°ā§āĻŦāĻžāϏāύ⧇āĨ¤

    āϏ⧇āĻĨāĻž āĻšāϤ⧇ āĻĢāĻŋāϰāĻŋ āϗ⧇āϞ āϚāϞāĻŋ āϧ⧀āϰāĻŋ
    āĻŦāϧ⧂ āĻ…āĻŽāĻŋāϤāĻžāϰ āϘāϰ⧇āĨ¤
    āϏāĻŽā§āϖ⧇ āϰāĻžāĻ–āĻŋāϝāĻŧāĻž āĻ¸ā§āĻŦāĻ°ā§āĻŖ-āĻŽā§āϕ⧁āϰ,
    āĻŦāĻžāρāϧāĻŋāϤ⧇āĻ›āĻŋāϞ āϏ⧇ āĻĻā§€āĻ°ā§āϘ āϚāĻŋāϕ⧁āϰ,
    āφāρāĻ•āĻŋāϤ⧇āĻ›āĻŋāϞ āϏ⧇ āϝāĻ¤ā§āύ⧇ āϏāĻŋāρāĻĻ⧁āϰ
    āϏāĻŋāĻĨāĻŋāϰ āϏ⧀āĻŽāĻžāϰ āĻĒāϰ⧇āĨ¤
    āĻļā§ā§°ā§€āĻŽāϤ⧀āϰ⧇ āĻšā§‡āϰāĻŋ āĻŦāĻžāρāĻ•āĻŋ āϗ⧇āϞ āϰ⧇āĻ–āĻž
    āĻ•āĻžāρāĻĒāĻŋ āϗ⧇āϞ āϤāĻžāϰ āĻšāĻžāϤ,-
    āĻ•āĻšāĻŋāϞ āĻ…āĻŦā§‹āϧ, āϕ⧀ āϏāĻžāĻšāϏ-āĻŦāϞ⧇
    āĻāύ⧇āĻ›āĻŋāϏ āĻĒā§‚āϜāĻž,āĻāĻ–āύāĻŋ āϝāĻž āĻšâ€™āϞ⧇
    āϕ⧇ āϕ⧋āĻĨāĻž āĻĻ⧇āĻ–āĻŋāĻŦ⧇, āϘāϟāĻŋāĻŦ⧇ āϤāĻžāĻšāϞ⧇
    āĻŦāĻŋāώāĻŽ āĻŦāĻŋāĻĒāĻĻāĻĒāĻžāϤāĨ¤

     

    āĻ…āĻ¸ā§āϤ-āϰāĻŦāĻŋāϰ āϰāĻļā§āĻŽāĻŋ-āφāĻ­āĻžāϝāĻŧ
    āĻ–ā§‹āϞāĻž āϜāĻžāύāĻžāϞāĻžāϰ āϧāĻžāϰ⧇
    āϕ⧁āĻŽāĻžāϰ⧀ āĻļ⧁āĻ•ā§āϞāĻž āĻŦāϏāĻŋ āĻāĻ•āĻžāĻ•āĻŋāύ⧀
    āĻĒāĻĄāĻŧāĻŋāϤ⧇ āύāĻŋāϰāϤ āĻ•āĻžāĻŦā§āϝ-āĻ•āĻžāĻšāĻŋāύ⧀,
    āϚāĻŽāĻ•āĻŋ āωāĻ āĻŋāϞ āĻļ⧁āύāĻŋ āĻ•āĻŋāĻ™ā§āĻ•āĻŋāĻŖā§€
    āϚāĻžāĻšāĻŋāϝāĻŧāĻž āĻĻ⧇āĻ–āĻŋāϞ āĻĻā§āĻŦāĻžāϰ⧇āĨ¤
    āĻļā§ā§°ā§€āĻŽāϤ⧀āϰ⧇ āĻšā§‡āϰāĻŋ āĻĒ⧁āρāĻĨāĻŋ āϰāĻžāĻ–āĻŋ āĻ­ā§‚āĻŽā§‡
    āĻĻā§āϰ⧁āϤāĻĒāĻĻ⧇ āϗ⧇āϞ āĻ•āĻžāϛ⧇āĨ¤

    āĻ•āĻšā§‡ āϏāĻžāĻŦāϧāĻžāύ⧇ āϤāĻžāϰ āĻ•āĻžāύ⧇ āĻ•āĻžāύ⧇
    āϰāĻžāϜāĻžāϰ āφāĻĻ⧇āĻļ āφāϜāĻŋ āϕ⧇ āύāĻž āϜāĻžāύ⧇,
    āĻāĻŽāύāĻŋ āĻ•â€™āϰ⧇ āĻ•āĻŋ āĻŽāϰāϪ⧇āϰ āĻĒāĻžāύ⧇
    āϛ⧁āϟāĻŋāϝāĻŧāĻž āϚāϞāĻŋāϤ⧇ āφāϛ⧇āĨ¤
    āĻĻā§āĻŦāĻžāϰ āĻšāϤ⧇ āĻĻā§āĻŦāĻžāϰ⧇ āĻĢāĻŋāϰāĻŋāϞ āĻļā§āϰ⧀āĻŽāϤ⧀
    āϞāχāϝāĻŧāĻž āĻ…ā§°ā§āĻ˜ā§āϝāĻĨāĻžāϞāĻŋāĨ¤
    “āĻšā§‡ āĻĒ⧁āϰāĻŦāĻžāϏāĻŋāĻ¨ā§€â€ āϏāĻŦ⧇ āĻĄāĻžāĻ•āĻŋ āĻ•āϝāĻŧ,—
    “āĻšāϝāĻŧ⧇āϛ⧇ āĻĒā§āϰāϭ⧁āϰ āĻĒā§‚āϜāĻžāϰ āϏāĻŽāϝāĻŧ”—
    āĻļ⧁āύāĻŋ āϘāϰ⧇ āϘāϰ⧇ āϕ⧇āĻš āĻĒāĻžāϝāĻŧ āĻ­āϝāĻŧ
    āϕ⧇āĻš āĻĻ⧇āϝāĻŧ āϤāĻžāϰ⧇ āĻ—āĻžāϞāĻŋāĨ¤

    āĻĻāĻŋāĻŦāϏ⧇āϰ āĻļ⧇āώ āφāϞ⧋āĻ• āĻŽāĻŋāϞāĻžāϞ
    āύāĻ—āϰ āϏ⧌āϧāĻĒāϰ⧇āĨĨ
    āĻĒāĻĨ āϜāύāĻšā§€āύ āφāρāϧāĻžāϰ⧇ āĻŦāĻŋāϞ⧀āύ,
    āĻ•āϞāϕ⧋āϞāĻžāĻšāϞ āĻšāϝāĻŧ⧇ āĻāϞ āĻ•ā§āώ⧀āĻŖ,
    āφāϰāϤāĻŋāϘāĻŖā§āϟāĻž āĻ§ā§āĻŦāύāĻŋāϞ āĻĒā§āϰāĻžāĻšā§€āύ
    āϰāĻžāϜ-āĻĻ⧇āĻŦāĻžāϞāϝāĻŧ āϘāϰ⧇āĨ¤
    āĻļāĻžāϰāĻĻ āύāĻŋāĻļāĻŋāϰ āĻ¸ā§āĻŦāĻšā§āĻ› āϤāĻŋāĻŽāĻŋāϰ⧇
    āĻœā§āĻŦāϞ⧇ āĻ…āĻ—āĻŖā§āϝ āϤāĻžāϰāĻžāĨ¤
    āϏāĻŋāĻ‚āĻšāĻĻ⧁āϝāĻŧāĻžāϰ⧇ āĻŦāĻžāϜāĻŋāϞ āĻŦāĻŋāώāĻžāĻŖ,
    āĻŦāĻ¨ā§āĻĻā§€āϰāĻž āϧāϰ⧇ āϏāĻ¨ā§āĻ§ā§āϝāĻžāϰ āϤāĻžāύ,

    “āĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖāĻžāϏāĻ­āĻž āĻšā§‹āϞ⧋ āϏāĻŽāĻžāϧāĻžāĻ¨â€
    āĻĻā§āĻŦāĻžāϰ⧀ āĻĢ⧁āĻ•āĻžāϰāĻŋāϝāĻŧāĻž āĻŦāϞ⧇āĨ¤

    āĻāĻŽāύ āϏāĻŽāϝāĻŧ⧇ āĻšā§‡āϰāĻŋāϞāĻž āϚāĻŽāĻ•āĻŋ
    āĻĒā§āϰāĻžāϏāĻžāĻĻ⧇ āĻĒā§āϰāĻšāϰ⧀ āϝāĻ¤â€”
    āϰāĻžāϜāĻžāϰ āĻŦāĻŋāϜāύ āĻ•āĻžāύāύ āĻŽāĻžāĻāĻžāϰ⧇
    āĻ¸ā§āϤ⧂āĻĒāĻĒāĻĻāĻŽā§‚āϞ⧇ āĻ—āĻšāύ āφāρāϧāĻžāϰ⧇
    āĻœā§āĻŦāϞāĻŋāϤ⧇āϛ⧇ āϕ⧇āύ, āϝ⧇āύ āϏāĻžāϰ⧇ āϏāĻžāϰ⧇
    āĻĒā§āϰāĻĻā§€āĻĒāĻŽāĻžāϞāĻžāϰ āĻŽāϤ⧋āĨ¤
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    āϤāĻ–āύāĻŋ āϛ⧁āϟāĻŋāϝāĻŧāĻž āφāϏāĻŋ
    āĻļ⧁āϧāĻžāĻ˛â€”â€œāϕ⧇ āϤ⧁āχ āĻ“āϰ⧇ āĻĻ⧁āĻ°ā§āĻŽāϤāĻŋ,
    āĻŽāϰāĻŋāĻŦāĻžāϰ āϤāϰ⧇ āĻ•āϰāĻŋāϏ āφāϰāϤāĻŋāĨ¤â€
    āĻŽāϧ⧁āϰ āĻ•āĻŖā§āϠ⧇ āĻļ⧁āύāĻŋāϞ “āĻļā§ā§°ā§€āĻŽāϤ⧀
    āφāĻŽāĻŋ āĻŦ⧁āĻĻā§āϧ⧇āϰ āĻĻāĻžāϏ⧀āĨ¤â€
    āϏ⧇āĻĻāĻŋāύ āĻļ⧁āĻ­ā§ā§° āĻĒāĻžāώāĻžāĻŖ-āĻĢāϞāϕ⧇
    āĻĒāĻĄāĻŧāĻŋāϞ āϰāĻ•ā§āϤ-āϞāĻŋāĻ–āĻžāĨ¤
    āϏ⧇āĻĻāĻŋāύ āĻļāĻžāϰāĻĻ āĻ¸ā§āĻŦāĻšā§āĻ› āύāĻŋāĻļā§€āĻĨ⧇
    āĻĒā§āϰāĻžāϏāĻžāĻĻ āĻ•āĻžāύāύ⧇ āύ⧀āϰāĻŦ⧇ āύāĻŋāϭ⧃āϤ⧇
    āĻ¸ā§āϤ⧂āĻĒāĻĒāĻĻāĻŽā§‚āϞ⧇ āύāĻŋāĻŦāĻŋāϞ āϚāĻ•āĻŋāϤ⧇
    āĻļ⧇āώ āφāϰāϤāĻŋāϰ āĻļāĻŋāĻ–āĻžā§ˇ

     

    Pujarini Poem by Rabindranath Tagore:

    Pujarini

    Rabindranath Tagore

    (Abadan-Shatak)
    Nipriti bimbisar
    Namiya buddhe magiya loila
    Padan-khakana tar.
    Stapiya nivrito prashad-kanane
    Tahari upore racila jatane
    Oti aparup shilamaya sthup
    Shilposhovar sar.

    Sandhya belay shuchibash pori
    Rajbadhu Rajbala
    Ashiten phul sajaye ḍalay,
    Stupa-pada-mule sonar thalay
    Apanar hathe diten jalaye
    Kanak-pradip-mala.

    Ajatsatru raja holo jabe,
    Pitar ashone asi
    PitarĖĨ dharma shonither srote
    Muchiya felilo rajpuri hote–
    Shopilo jagga-anal-alote
    Baud’dha-sastra-rashi.

    Kahilo ḍakiya ajatsatru
    Rajpuranari sobe,
    “bed brahman raja chara ar
    kichu na bhobe puja koribar
    Ei kati katha jeno mone shar-
    Bhulile bipad hobe. ‘

    Sedin sharad-diba-abashan-
    Srimoti name she dashi
    Punyasitala salile nahiya,
    PuášŖhpa-pradip thalay bahiya,
    Rajmahishir charane cahiya
    Nirobe daralo asi.

    Sihari sobhoye mahiášŖhi kahila,
    “e katha nahi ki mane,
    Ajatsatru kareche ratana
    Stupe je koribe arghya-rachana
    Shuler upore maribe se jana
    Othoba nirbashane? ‘

    Setha hote phiri gelo choli dhire
    Badhu amitar ghare.
    Samukhe rakhiya sarnamukur
    Badhitechilo se dirgha chikur,
    Akitechilo se jatne sinḍur
    Shimantashima-‘pre.

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻž : āĻ…āĻ­āĻŋāϏāĻžāϰ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Abhisar Poem lyrics in Bengali?

  1. Nibedita Paul
    Nibedita Paul
    Added an answer on May 31, 2020 at 4:21 am

    āĻ…āĻ­āĻŋāϏāĻžāϰ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝ : āĻ•āĻĨāĻž āĻŦā§‹āϧāĻŋāϏāĻ¤ā§āϤāĻžāĻŦāĻĻāĻžāύ-āĻ•āĻ˛ā§āĻĒāϞāϤāĻž āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āωāĻĒāϗ⧁āĻĒā§āϤ āĻŽāĻĨ⧁āϰāĻžāĻĒ⧁āϰ⧀āϰ āĻĒā§āϰāĻžāĻšā§€āϰ⧇āϰ āϤāϞ⧇ āĻāĻ•āĻĻāĻž āĻ›āĻŋāϞ⧇āύ āϏ⧁āĻĒā§āϤ-- āύāĻ—āϰ⧀āϰ āĻĻā§€āĻĒ āύāĻŋāĻŦ⧇āϛ⧇ āĻĒāĻŦāύ⧇, āĻĻ⧁⧟āĻžāϰ āϰ⧁āĻĻā§āϧ āĻĒ⧌āϰ āĻ­āĻŦāύ⧇, āύāĻŋāĻļā§€āĻĨ⧇āϰ āϤāĻžāϰāĻž āĻļā§āϰāĻžāĻŦāĻŖāĻ—āĻ—āύ⧇ āϘāύ āĻŽā§‡āĻ˜ā§‡ āĻ…āĻŦāϞ⧁āĻĒā§āϤāĨ¤ (āĻ…āĻ­āĻŋāϏāĻžāϰ - āĻ…āύ⧁āϏāϰāĻŖ, āĻĒā§āϰāĻžāĻšā§€āϰ-āĻĻā§‡ā§ŸāĻžāϞ, āϏ⧁āĻĒā§āĻ¤Â  - āύāĻŋāĻĻā§āϰāĻŋāϤ, āĻĒāĻŦāύ - āĻŦāĻžāϤāĻžāϏ, āύāĻŋāĻļā§€āĻĨ- āϰāĻžāĻ¤ā§āϰāĻŋ, āϰ⧁āĻĻā§āϧ- āĻŦāĻ¨ā§āϧ, āĻ…Read more

    āĻ…āĻ­āĻŋāϏāĻžāϰ

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ 
    āĻ•āĻžāĻŦā§āϝ : āĻ•āĻĨāĻž

    āĻŦā§‹āϧāĻŋāϏāĻ¤ā§āϤāĻžāĻŦāĻĻāĻžāύ-āĻ•āĻ˛ā§āĻĒāϞāϤāĻž

    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āωāĻĒāϗ⧁āĻĒā§āϤ
    āĻŽāĻĨ⧁āϰāĻžāĻĒ⧁āϰ⧀āϰ āĻĒā§āϰāĻžāĻšā§€āϰ⧇āϰ āϤāϞ⧇
    āĻāĻ•āĻĻāĻž āĻ›āĻŋāϞ⧇āύ āϏ⧁āĻĒā§āĻ¤â€“
    āύāĻ—āϰ⧀āϰ āĻĻā§€āĻĒ āύāĻŋāĻŦ⧇āϛ⧇ āĻĒāĻŦāύ⧇,
    āĻĻ⧁⧟āĻžāϰ āϰ⧁āĻĻā§āϧ āĻĒ⧌āϰ āĻ­āĻŦāύ⧇,
    āύāĻŋāĻļā§€āĻĨ⧇āϰ āϤāĻžāϰāĻž āĻļā§āϰāĻžāĻŦāĻŖāĻ—āĻ—āύ⧇
    āϘāύ āĻŽā§‡āĻ˜ā§‡ āĻ…āĻŦāϞ⧁āĻĒā§āϤāĨ¤

    (āĻ…āĻ­āĻŋāϏāĻžāϰ – āĻ…āύ⧁āϏāϰāĻŖ, āĻĒā§āϰāĻžāĻšā§€āϰ-āĻĻā§‡ā§ŸāĻžāϞ, āϏ⧁āĻĒā§āĻ¤Â  – āύāĻŋāĻĻā§āϰāĻŋāϤ, āĻĒāĻŦāύ – āĻŦāĻžāϤāĻžāϏ, āύāĻŋāĻļā§€āĻĨ- āϰāĻžāĻ¤ā§āϰāĻŋ, āϰ⧁āĻĻā§āϧ- āĻŦāĻ¨ā§āϧ, āĻ…āĻŦāϞ⧁āĻĒā§āϤ-āĻ…āĻĻ⧃āĻļā§āϝ)

    āĻ•āĻžāĻšāĻžāϰ āύ⧂āĻĒ⧁āϰāĻļāĻŋāĻžā§āϜāĻŋāϤ āĻĒāĻĻ
    āϏāĻšāϏāĻž āĻŦāĻžāϜāĻŋāϞ āĻŦāĻ•ā§āώ⧇!
    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀āĻŦāϰ āϚāĻŽāĻ•āĻŋ āϜāĻžāĻ—āĻŋāϞ,
    āĻ¸ā§āĻŦāĻĒā§āύāϜ⧜āĻŋāĻŽāĻž āĻĒāϞāϕ⧇ āĻ­āĻžāĻ—āĻŋāϞ,
    āĻ°ā§‚ā§ āĻĻā§€āĻĒ⧇āϰ āφāϞ⧋āĻ• āϞāĻžāĻ—āĻŋāϞ
    āĻ•ā§āώāĻŽāĻžāϏ⧁āĻ¨ā§āĻĻāϰ āϚāĻ•ā§āώ⧇āĨ¤

    (āϏāĻšāϏāĻžÂ  –  āĻ…āĻ•āĻ¸ā§āĻŽāĻžā§Ž/āĻšāĻ āĻžā§Ž,  āĻŦāĻ•ā§āώ⧇ – āĻŦ⧁āϕ⧇, āύ⧂āĻĒ⧁āϰāĻļāĻŋāĻžā§āϜāĻŋāϤ- āύ⧁āĻĒ⧁āϰāĻĒāϰāĻŋāĻšāĻŋāϤ, āĻĒāĻĻ- āĻĒāĻž, āĻ°ā§‚ā§Â  – āϰ⧁āĻ•ā§āώ, āĻ•āĻ ā§‹āϰ)

    āύāĻ—āϰ⧀āϰ āύāĻŸā§€ āϚāϞ⧇ āĻ…āĻ­āĻŋāϏāĻžāϰ⧇
    āϝ⧌āĻŦāύāĻŽāĻĻ⧇ āĻŽāĻ¤ā§āϤāĻžāĨ¤
    āĻ…āĻ™ā§āĻ— āφāρāϚāϞ āϏ⧁āύ⧀āϞ āĻŦāϰāύ,
    āϰ⧁āύ⧁āĻā§āύ⧁ āϰāĻŦ⧇ āĻŦāĻžāĻœā§‡ āφāĻ­āϰāĻŖâ€“
    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀-āĻ—āĻžā§Ÿā§‡ āĻĒ⧜āĻŋāϤ⧇ āϚāϰāĻŖ
    āĻĨāĻžāĻŽāĻŋāϞ āĻŦāĻžāϏāĻŦāĻĻāĻ¤ā§āϤāĻžāĨ¤

    (āφāρāϚāϞ – āĻ•āĻžāĻĒā§œā§‡āϰ āϖ⧁āρāϟāĻŋ, āϏ⧁āύ⧀āĻ˛Â  – āĻ—āĻžā§ āύ⧀āϞ, āĻŦāϰāύ – āĻŦāĻ°ā§āĻŖ, āϰāĻŦ  – āĻļāĻŦā§āĻĻ/āĻ§ā§āĻŦāύāĻŋ, āφāĻ­āϰāĻŖÂ  – āĻ­ā§‚āώāĻŖ, āϚāϰāĻŖ – āĻĒāĻž, āĻŦāĻžāϏāĻŦ  – āĻĻ⧇āĻŦāϰāĻžāϜ āχāĻ¨ā§āĻĻā§āϰ)

    āĻĒā§āϰāĻĻā§€āĻĒ āϧāϰāĻŋ⧟āĻž āĻšā§‡āϰāĻŋāϞ āϤāĻžāρāĻšāĻžāϰ
    āύāĻŦā§€āύ āĻ—ā§ŒāϰāĻ•āĻžāĻ¨ā§āϤāĻŋ–
    āϏ⧌āĻŽā§āϝ āϏāĻšāĻžāϏ āϤāϰ⧁āĻŖ āĻŦ⧟āĻžāύ,
    āĻ•āϰ⧁āĻŖāĻžāĻ•āĻŋāϰāϪ⧇ āĻŦāĻŋāĻ•āϚ āύ⧟āĻžāύ,
    āĻļ⧁āĻ­ā§āϰ āϞāϞāĻžāĻŸā§‡ āχāĻ¨ā§āĻĻ⧁āϏāĻŽāĻžāύ
    āĻ­āĻžāϤāĻŋāϛ⧇ āĻ¸ā§āύāĻŋāĻ—ā§āϧ āĻļāĻžāĻ¨ā§āϤāĻŋāĨ¤

    (āϏ⧌āĻŽā§āĻ¯Â  – āĻļāĻžāĻ¨ā§āϤ āĻ“ āϏ⧁āĻ¨ā§āĻĻāϰ, āϏāĻšāĻžāĻ¸ā§āĻ¯Â  – āĻšāĻžāĻ¸ā§āϝāϰāϤ, āĻŦ⧟āĻžāĻ¨Â Â  – āĻŦāĻĻāύ/āĻŽā§āĻ–, āĻŦāĻŋāĻ•āĻšÂ  – āĻŦāĻŋāĻ•āĻļāĻŋāϤ, āύ⧟āĻžāύ – āύ⧟āύ, āĻļ⧁āĻ­ā§āϰ – āĻļ⧁āĻ•ā§āϞ/āϏāĻŋāϤ, āϞāϞāĻžāĻŸÂ  – āĻ…āĻĻ⧃āĻˇā§āϟ, āχāĻ¨ā§āĻĻā§Â  – āϚāĻžāρāĻĻ) 

    āĻ•āĻšāĻŋāϞ āϰāĻŽāĻŖā§€ āϞāϞāĻŋāϤ āĻ•āĻŖā§āϠ⧇,
    āύ⧟āύ⧇ āϜ⧜āĻŋāϤ āϞāĻœā§āϜāĻž,
    āĻ•ā§āώāĻŽāĻž āĻ•āϰ⧋ āĻŽā§‹āϰ⧇ āϕ⧁āĻŽāĻžāϰ āĻ•āĻŋāĻļā§‹āϰ,
    āĻĻ⧟āĻž āĻ•āϰ⧋ āϝāĻĻāĻŋ āĻ—ā§ƒāĻšā§‡ āϚāϞ⧋ āĻŽā§‹āϰ,
    āĻ āϧāϰāĻŖā§€āϤāϞ āĻ•āĻ āĻŋāύ āĻ•āĻ ā§‹āϰ
    āĻ āύāĻšā§‡ āϤ⧋āĻŽāĻžāϰ āĻļāĻ¯ā§āϝāĻžāĨ¤â€™

    (āĻ­āĻžāϤāĻŋāϛ⧇- āĻĒā§āϰāĻŦāĻžāĻšā§‡, āϰāĻŽāĻŖā§€ -āύāĻžāϰ⧀, āϞāϞāĻŋāϤ – āϚāĻžāϰ⧁/āϏ⧁āĻ¨ā§āĻĻāϰ, āϧāϰāĻŖā§€Â  – āϧāϰāĻž/āĻĒ⧃āĻĨāĻŋāĻŦā§€)

    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻ•āĻšā§‡ āĻ•āϰ⧁āĻŖ āĻŦāϚāύ⧇,
    “āĻ…ā§ŸāĻŋ āϞāĻžāĻŦāĻŖā§āϝāĻĒ⧁āĻžā§āϜ,
    āĻāĻ–āύ⧋ āφāĻŽāĻžāϰ āϏāĻŽā§Ÿ āĻšā§Ÿ āύāĻŋ,
    āϝ⧇āĻĨāĻžā§Ÿ āϚāϞ⧇āĻ› āϝāĻžāĻ“ āϤ⧁āĻŽāĻŋ āϧāύ⧀,
    āϏāĻŽā§Ÿ āϝ⧇āĻĻāĻŋāύ āφāϏāĻŋāĻŦ⧇ āφāĻĒāύāĻŋ
    āϝāĻžāχāĻŦ āϤ⧋āĻŽāĻžāϰ āϕ⧁āĻžā§āϜ,’

    (āĻŦāϚāĻ¨Â  – āĻŦāĻžāĻ•ā§āϝ/āĻ•āĻĨāĻž, āĻ…ā§ŸāĻŋ  – āĻ“āĻ—ā§‹, āϞāĻžāĻŦāĻŖā§āĻ¯Â  – āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āϕ⧁āĻžā§āĻœÂ  – āϞāϤāĻžāĻĻāĻŋ āĻĻā§āĻŦāĻžāϰāĻž āφāĻšā§āĻ›āĻžāĻĻāĻŋāϤ āĻ—ā§ƒāĻšāĻžāĻ•āĻžāϰ āĻ¸ā§āĻĨāĻžāύ)

    āϏāĻšāϏāĻž āĻāĻžā§āĻāĻž āϤ⧜āĻŋā§ŽāĻļāĻŋāĻ–āĻžā§Ÿ
    āĻŽā§‡āϞāĻŋāϞ āĻŦāĻŋāĻĒ⧁āϞ āφāĻ¸ā§āϝāĨ¤
    āϰāĻŽāĻŖā§€ āĻ•āĻžāρāĻĒāĻŋ⧟āĻž āωāĻ āĻŋāϞ āϤāϰāĻžāϏ⧇,
    āĻĒā§āϰāϞ⧟āĻļāĻ™ā§āĻ– āĻŦāĻžāϜāĻŋāϞ āĻŦāĻžāϤāĻžāϏ⧇,
    āφāĻ•āĻžāĻļ⧇ āĻŦāĻœā§āϰ āĻ˜ā§‹āϰ āĻĒāϰāĻŋāĻšāĻžāϏ⧇
    āĻšāĻžāϏāĻŋāϞ āĻ…āĻŸā§āϟāĻšāĻžāĻ¸ā§āϝāĨ¤

    (āĻāĻžā§āĻ›āĻžÂ  – āĻĒā§āϰāĻŦāϞ āĻāϟāĻŋāĻ•āĻž, āϤ⧜āĻŋā§ŽÂ  – āĻŦāĻŋāĻĻā§ā§āĻ¯ā§Ž, āφāĻ¸ā§āĻ¯Â  – āĻŽā§āĻ–, āϤāϰāĻžāĻ¸Â  – āĻ¤ā§āϰāĻžāϏ/āϭ⧟,  āĻĒā§āϰāĻ˛ā§ŸÂ  – āϏāĻ°ā§āĻŦāĻžāĻ¤ā§āĻŽāĻ• āĻ§ā§āĻŦāĻ‚āϏ, āĻĒāϰāĻŋāĻšāĻžāĻ¸Â  – āĻ āĻžāĻŸā§āϟāĻž, āϤāĻžāĻŽāĻžāĻļāĻž)

    āĻŦāĻ°ā§āώ āϤāĻ–āύ⧋ āĻšā§Ÿ āύāĻžāχ āĻļ⧇āώ,
    āĻāϏ⧇āϛ⧇ āϚ⧈āĻ¤ā§āϰāϏāĻ¨ā§āĻ§ā§āϝāĻžāĨ¤
    āĻŦāĻžāϤāĻžāϏ āĻšā§Ÿā§‡āϛ⧇ āωāϤāϞāĻž āφāϕ⧁āϞ,
    āĻĒāĻĨāϤāϰ⧁āĻļāĻžāϖ⧇ āϧāϰ⧇āϛ⧇ āĻŽā§āϕ⧁āϞ,
    āϰāĻžāϜāĻžāϰ āĻ•āĻžāύāύ⧇ āĻĢ⧁āĻŸā§‡āϛ⧇ āĻŦāϕ⧁āϞ
    āĻĒāĻžāϰ⧁āϞ āϰāϜāύ⧀āĻ—āĻ¨ā§āϧāĻžāĨ¤

    (āϤāĻ°ā§Â  –  āĻŦ⧃āĻ•ā§āώ/ āĻ—āĻžāĻ›, āĻ•āĻžāύāĻ¨Â  – āĻŦāĻžāĻ—āĻžāύ, āĻŽā§āϕ⧁āĻ˛Â  – āĻ•āϞāĻŋāĻ•āĻž/āϕ⧁āρ⧜āĻŋ)

    āĻ…āϤāĻŋ āĻĻā§‚āϰ āĻšāϤ⧇ āφāϏāĻŋāϛ⧇ āĻĒāĻŦāύ⧇
    āĻŦāĻžāρāĻļāĻŋāϰ āĻŽāĻĻāĻŋāϰ āĻŽāĻ¨ā§āĻĻā§āϰāĨ¤
    āϜāύāĻšā§€āύ āĻĒ⧁āϰ⧀, āĻĒ⧁āϰāĻŦāĻžāϏ⧀ āϏāĻŦ⧇
    āϗ⧇āϛ⧇ āĻŽāϧ⧁āĻŦāύ⧇ āĻĢ⧁āϞ-āĻ‰ā§ŽāϏāĻŦā§‡â€“
    āĻļā§‚āĻ¨ā§āϝ āύāĻ—āϰ⧀ āύāĻŋāϰāĻ–āĻŋ āύ⧀āϰāĻŦ⧇
    āĻšāĻžāϏāĻŋāϛ⧇ āĻĒā§‚āĻ°ā§āĻŖāϚāĻ¨ā§āĻĻā§āϰāĨ¤

    ( āĻŽāĻ¨ā§āĻĻā§āĻ°Â  – āĻ—āĻŽā§āĻ­ā§€āϰ āĻ§ā§āĻŦāύāĻŋ, āĻĒ⧁āĻ°ā§€Â Â  – āĻ—ā§ƒāĻš/āĻ­āĻŦāύ āĻ¸ā§āĻŦāĻ°ā§āĻŖāĻĒ⧁āϰ⧀)

    āύāĻŋāĻ°ā§āϜāύ āĻĒāĻĨ⧇ āĻœā§āĻ¯ā§‹ā§ŽāĻ¸ā§āύāĻž-āφāϞ⧋āϤ⧇
    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻāĻ•āĻž āϝāĻžāĻ¤ā§āϰ⧀āĨ¤
    āĻŽāĻžāĻĨāĻžāϰ āωāĻĒāϰ⧇ āϤāϰ⧁āĻŦā§€āĻĨāĻŋāĻ•āĻžāϰ
    āϕ⧋āĻ•āĻŋāϞ āϕ⧁āĻšāϰāĻŋ āωāϠ⧇ āĻŦāĻžāϰāĻŦāĻžāϰ,
    āĻāϤāĻĻāĻŋāύ āĻĒāϰ⧇ āĻāϏ⧇āϛ⧇ āĻ•āĻŋ āϤāĻžāρāϰ
    āφāϜāĻŋ āĻ…āĻ­āĻŋāϏāĻžāϰāϰāĻžāĻ¤ā§āϰāĻŋ?

    (āĻŦā§€āĻĨā§€Â Â  – āĻļā§āϰ⧇āĻŖā§€, āϏāĻžāϰāĻŋ)

    āύāĻ—āϰ āĻ›āĻžā§œāĻžā§Ÿā§‡ āϗ⧇āϞ⧇āύ āĻĻāĻŖā§āĻĄā§€
    āĻŦāĻžāĻšāĻŋāϰāĻĒā§āϰāĻžāĻšā§€āϰāĻĒā§āϰāĻžāĻ¨ā§āϤ⧇āĨ¤
    āĻĻāĻžāρ⧜āĻžāϞ⧇āύ āφāϏāĻŋ āĻĒāϰāĻŋāĻ–āĻžāϰ āĻĒāĻžāĻ°ā§‡â€“
    āφāĻŽā§āϰāĻŦāύ⧇āϰ āĻ›āĻžā§ŸāĻžāϰ āφāρāϧāĻžāϰ⧇
    āϕ⧇ āĻ“āχ āϰāĻŽāĻŖā§€ āĻĒâ€™ā§œā§‡ āĻāĻ• āϧāĻžāϰ⧇
    āϤāĻžāρāĻšāĻžāϰ āϚāϰāĻŖā§‹āĻĒā§āϰāĻžāĻ¨ā§āϤ⧇!

    (āφāĻŽā§āĻ°Â Â  – āφāĻŽ)

    āύāĻŋāĻĻāĻžāϰ⧁āĻŖ āϰ⧋āϗ⧇ āĻŽāĻžāϰ⧀āϗ⧁āϟāĻŋāĻ•āĻžā§Ÿ
    āĻ­āϰ⧇ āϗ⧇āϛ⧇ āϤāĻžāϰ āĻ…āĻ™ā§āĻ—â€“
    āϰ⧋āĻ—āĻŽāϏ⧀ āĻĸāĻžāϞāĻž āĻ•āĻžāϞ⧀ āϤāύ⧁ āϤāĻžāϰ
    āĻ˛ā§Ÿā§‡ āĻĒā§āϰāϜāĻžāĻ—āϪ⧇ āĻĒ⧁āϰāĻĒāϰāĻŋāĻ–āĻžāϰ
    āĻŦāĻžāĻšāĻŋāϰ⧇ āĻĢ⧇āϞ⧇āϛ⧇, āĻ•āϰāĻŋ’ āĻĒāϰāĻŋāĻšāĻžāϰ
    āĻŦāĻŋāώāĻžāĻ•ā§āϤ āϤāĻžāϰ āϏāĻ™ā§āĻ—āĨ¤

    (āϤāύ⧁,- āĻĻ⧇āĻš/āĻļāϰ⧀āϰ, āĻĒāϰāĻŋāĻšāĻžāϰ – āĻŦāĻ°ā§āϜāύ/āĻ¤ā§āϝāĻžāĻ—,  āϗ⧁āϟāĻŋ-āϗ⧁āϟāĻŋāĻ•āĻž-  āϛ⧋āϟ āĻĻāĻžāύāĻž/ āĻŦāϏāĻ¨ā§āϤ āϰ⧋āϗ⧇āϰ āĻŦā§āϰāĻŖ)

    āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻŦāϏāĻŋ āĻ†ā§œāĻˇā§āϟ āĻļāĻŋāϰ
    āϤ⧁āϞāĻŋ āύāĻŋāϞ āύāĻŋāϜ āĻ…āĻ™ā§āĻ•ā§‡â€“
    āĻĸāĻžāϞāĻŋ āĻĻāĻŋāϞ āϜāϞ āĻļ⧁āĻˇā§āĻ• āĻ…āϧāϰ⧇,
    āĻŽāĻ¨ā§āĻ¤ā§āϰ āĻĒ⧜āĻŋ⧟āĻž āĻĻāĻŋāϞ āĻļāĻŋāϰ-‘āĻĒāϰ⧇,
    āϞ⧇āĻĒāĻŋ āĻĻāĻŋāϞ āĻĻ⧇āĻš āφāĻĒāύāĻžāϰ āĻ•āϰ⧇
    āĻļā§€āϤāϚāĻ¨ā§āĻĻāύāĻĒāĻ™ā§āϕ⧇āĨ¤
    āĻāϰāĻŋāϛ⧇ āĻŽā§āϕ⧁āϞ, āϕ⧂āϜāĻŋāϛ⧇ āϕ⧋āĻ•āĻŋāϞ,
    āϝāĻžāĻŽāĻŋāύ⧀ āĻœā§‹āĻ›āύāĻžāĻŽāĻ¤ā§āϤāĻžāĨ¤

    (āĻ†ā§œāĻˇā§āϟ – āĻ…āϏāĻžā§œ/ āϜ⧜,  āĻ…āϧāϰ – āĻ ā§‹āρāϟ/āύāĻŋāĻšā§‡āϰ āĻ ā§‹āρāϟ, āϝāĻžāĻŽāĻŋāĻ¨ā§€Â Â  – āϰāĻžāĻ¤ā§āϰāĻŋ)

    “āϕ⧇ āĻāϏ⧇āĻ› āϤ⧁āĻŽāĻŋ āĻ“āĻ—ā§‹ āĻĻ⧟āĻžāĻŽā§Ÿâ€™
    āĻļ⧁āϧāĻžāχāϞ āύāĻžāϰ⧀, āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ⧀ āĻ•ā§Ÿâ€“
    “āφāϜāĻŋ āϰāϜāύ⧀āϤ⧇ āĻšā§Ÿā§‡āϛ⧇ āϏāĻŽā§Ÿ,
    āĻāϏ⧇āĻ›āĻŋ āĻŦāĻžāϏāĻŦāĻĻāĻ¤ā§āϤāĻž!’

    English Transliteration:

    Abhishar
    Rabindranath tagore

    Bodhisottabadon-kolpona
    Sonnyashi upogupto
    Mothurapurir prachirer tole
    Ekoda chilen supto–
    nogorir deel nibeche pobone,
    Duar ruddha pouro bhobone,
    Nishither tara srabongogone
    Ghono meg obolupto.

    Kahar nupurshingit pod
    Sohosha bajilo bokke!
    Sonnyashibor chomki jagilo,
    Shopnojorima poloke bhagilo,
    Ruro deeper alok lagilo
    Khomashundar chokke.
    Nogorir noti chole abhisare
    Joubonmode motta.
    Ongi anchal sunil boron,
    Runujhunu robe baje aboron–
    Sonnyashi-gaye porite choron
    Thamilo basbodotta.
    Prodip dhoriya herilo tahar
    Nobin gourokanti–
    Soummya sahosh torun boyan,
    Korunakirone bikocho noyan,
    Shubro lolate indusoman
    Bhatiche snighdha shanti.
    Kohilo romoni lolito khonte,
    Noyone jorito lojja,
    Khoma koro more kumar kishor,
    Doya koro jodi grihe cholo mor,
    E dhoronitol kothin kothor
    E nohe tomar shojjya.
    Sonnyashi kohe torun bichone,
    “Oyi labonnyapunjo,
    Ekhono amar somoy hoy ni,
    Jethay cholche jao tumi dhoni,
    Somoy jedin ashibe apni
    Jaibi tumar kunjo,
    Sohisha jhonjha toritshikhay
    Melilo bipul ashhya.
    Romoni kapiya uthilo torashe,
    Proloyoshongho bajilo batashe,
    Akashe bojro ghor porihashe
    hashilo ottohashya.
    â€Ļâ€Ļ
    Borsho tokhono hoy ni sesh,
    Esheche choitrosondhya.
    Batash hoyeche utola akul,
    Pothotorushakhe dhoreche mukul,
    Rajar kanone futeche bokul
    Parul rojonigondha .
    Oti duur hote ashiche pobone
    Bashir modir mondro.
    Jonohin puri, purobashi sobe
    Geche modhubone ful-utshobe–
    Sunnyo nogori nirkhi nirobe
    Hashiche purnochondro.
    Nirjon pothe jyotsna-alote
    Sonnyashi ek jatri.
    Mathar upore torubithikar
    Kokil khori uthe barbar,
    Etodin pore esheche ki tar
    Aji abhisharratri?
    Nogor charay gelen dondi
    Bahirprachirprante.
    Daralen ashi porikhar pare–
    Amroboner chayar adhare
    Ke oi romoni pore ek dhare
    Tahar choronoprante!
    Nidarun roge marigutikay
    Bhore geche tar songe–
    Rogmoshidhala kali tonu tar
    Loye projagone puroporikhar
    Bahire feleche, kori porihar
    Bishakto tar songo.
    Sonnyashi boshi arosto shir
    Tuli nilo nij onke–
    Dhali dilo jol shusko odhore,
    Montro poriya dilo shir pore,
    Lepi dilo deho apnar kore
    Shitchandanponghe.
    Jhoriche mukul, kujiche kokil,
    Jamini jochnamotta.
    “Ke eshecho tumi ogo doyamoy”
    Sudhailo nari, sonnyashi koy–
    “Ani rojonite hoyeche somoy,
    Eshechi bashobodotta!”

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Answer
In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻžāσ āĻļāĻ™ā§āĻ– (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Sankha by Rabindranath Tagore in Bengali?

  1. Nibedita Paul
    Nibedita Paul
    Added an answer on May 31, 2020 at 1:20 am

    āĻļāĻ™ā§āĻ– āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ āĻ•āĻžāĻŦā§āϝ-āĻŦāϞāĻžāĻ•āĻž āϤ⧋āĻŽāĻžāϰ āĻļāĻ™ā§āĻ– āϧ⧁āϞāĻžā§Ÿ āĻĒ'ā§œā§‡, āϕ⧇āĻŽāύ āĻ•āϰ⧇ āϏāχāĻŦāĨ¤ āĻŦāĻžāϤāĻžāϏ āφāϞ⧋ āϗ⧇āϞ āĻŽāϰ⧇ āĻ āϕ⧀ āϰ⧇ āĻĻ⧁āĻ°ā§āĻĻ⧈āĻŦāĨ¤ āϞ⧜āĻŦāĻŋ āϕ⧇ āĻ†ā§Ÿ āĻ§ā§āĻŦāϜāĻž āĻŦā§‡ā§Ÿā§‡, āĻ—āĻžāύ āφāϛ⧇ āϝāĻžāϰ āĻ“āĻ -āύāĻž āĻ—ā§‡ā§Ÿā§‡, āϚāϞāĻŦāĻŋ āϝāĻžāϰāĻž āϚāĻ˛ā§ āϰ⧇ āĻ§ā§‡ā§Ÿā§‡, āĻ†ā§Ÿ āύāĻž āϰ⧇ āύāĻŋāσāĻļāĻ™ā§āĻ•āĨ¤ āϧ⧁āϞ⧟ āĻĒā§œā§‡ āϰāχāϞ āĻšā§‡ā§Ÿā§‡ āĻ“āχ āϝ⧇ āĻ…āϭ⧟ āĻļāĻ™ā§āĻ–āĨ¤ āϚāϞ⧇āĻ›āĻŋāϞāĻžāĻŽ āĻĒā§‚āϜāĻžāϰ āϘāϰ⧇ āϏāĻžāϜāĻŋā§Ÿā§‡ āĻĢ⧁āϞ⧇āϰ āĻ…āĻ°ā§āĻ˜ā§āϝāĨ¤ āϖ⧁āρāϜāĻŋ āϏāĻžāϰāĻžāĻĻāĻŋāύ⧇āϰ āĻĒāϰ⧇ āϕ⧋āĻĨāĻžā§Ÿ āĻļāĻžāĻ¨ā§āϤRead more

    āĻļāĻ™ā§āĻ–

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ
    āĻ•āĻžāĻŦā§āϝ-āĻŦāϞāĻžāĻ•āĻž

    āϤ⧋āĻŽāĻžāϰ āĻļāĻ™ā§āĻ– āϧ⧁āϞāĻžā§Ÿ āĻĒâ€™ā§œā§‡,
    āϕ⧇āĻŽāύ āĻ•āϰ⧇ āϏāχāĻŦāĨ¤
    āĻŦāĻžāϤāĻžāϏ āφāϞ⧋ āϗ⧇āϞ āĻŽāϰ⧇
    āĻ āϕ⧀ āϰ⧇ āĻĻ⧁āĻ°ā§āĻĻ⧈āĻŦāĨ¤
    āϞ⧜āĻŦāĻŋ āϕ⧇ āĻ†ā§Ÿ āĻ§ā§āĻŦāϜāĻž āĻŦā§‡ā§Ÿā§‡,
    āĻ—āĻžāύ āφāϛ⧇ āϝāĻžāϰ āĻ“āĻ -āύāĻž āĻ—ā§‡ā§Ÿā§‡,
    āϚāϞāĻŦāĻŋ āϝāĻžāϰāĻž āϚāĻ˛ā§ āϰ⧇ āĻ§ā§‡ā§Ÿā§‡,
    āĻ†ā§Ÿ āύāĻž āϰ⧇ āύāĻŋāσāĻļāĻ™ā§āĻ•āĨ¤
    āϧ⧁āϞ⧟ āĻĒā§œā§‡ āϰāχāϞ āĻšā§‡ā§Ÿā§‡
    āĻ“āχ āϝ⧇ āĻ…āϭ⧟ āĻļāĻ™ā§āĻ–āĨ¤

    āϚāϞ⧇āĻ›āĻŋāϞāĻžāĻŽ āĻĒā§‚āϜāĻžāϰ āϘāϰ⧇
    āϏāĻžāϜāĻŋā§Ÿā§‡ āĻĢ⧁āϞ⧇āϰ āĻ…āĻ°ā§āĻ˜ā§āϝāĨ¤
    āϖ⧁āρāϜāĻŋ āϏāĻžāϰāĻžāĻĻāĻŋāύ⧇āϰ āĻĒāϰ⧇
    āϕ⧋āĻĨāĻžā§Ÿ āĻļāĻžāĻ¨ā§āϤāĻŋ-āĻļāĻ°ā§āĻ—āĨ¤
    āĻāĻŦāĻžāϰ āφāĻŽāĻžāϰ āĻšā§ƒāĻĻ⧟-āĻ•ā§āώāϤ
    āϭ⧇āĻŦ⧇āĻ›āĻŋāϞāĻžāĻŽ āĻšāĻŦ⧇ āĻ—āϤ,
    āĻ§ā§ā§Ÿā§‡ āĻŽāϞāĻŋāύ āϚāĻŋāĻšā§āύ āϝāϤ
    āĻšāĻŦ āύāĻŋāĻˇā§āĻ•āϞāĻ™ā§āĻ•āĨ¤
    āĻĒāĻĨ⧇ āĻĻ⧇āĻ–āĻŋ āϧ⧁āϞāĻžā§Ÿ āύāϤ
    āϤ⧋āĻŽāĻžāϰ āĻŽāĻšāĻžāĻļāĻ™ā§āĻ–āĨ¤

    āφāϰāϤāĻŋ-āĻĻā§€āĻĒ āĻāχ āĻ•āĻŋ āĻœā§āĻŦāĻžāϞāĻžāĨ¤
    āĻāχ āĻ•āĻŋ āφāĻŽāĻžāϰ āϏāĻ¨ā§āĻ§ā§āϝāĻžāĨ¤
    āĻ—āĻžāρāĻĨāĻžāϰ āϰāĻ•ā§āϤāϜāĻŦāĻžāϰ āĻŽāĻžāϞāĻž?
    āĻšāĻžā§Ÿ āϰāϜāύ⧀āĻ—āĻ¨ā§āϧāĻžāĨ¤
    āϭ⧇āĻŦ⧇āĻ›āĻŋāϞāĻžāĻŽ āϝ⧋āĻāĻžāϝ⧁āĻāĻŋ
    āĻŽāĻŋāϟāĻŋā§Ÿā§‡ āĻĒāĻžāĻŦ āĻŦāĻŋāϰāĻžāĻŽ āϖ⧁āρāϜāĻŋ,
    āϚ⧁āĻ•āĻŋā§Ÿā§‡ āĻĻāĻŋā§Ÿā§‡ āĻ‹āϪ⧇āϰ āĻĒ⧁āρāϜāĻŋ,
    āϞāĻŦ āϤ⧋āĻŽāĻžāϰ āĻ…āĻ™ā§āĻ•āĨ¤
    āĻšā§‡āύāĻ•āĻžāϞ⧇ āĻĄāĻžāĻ•āϞ āĻŦ⧁āĻāĻŋ
    āύ⧀āϰāĻŦ āϤāĻŦ āĻļāĻ™ā§āĻ–āĨ¤

    āϝ⧌āĻŦāύ⧇āϰāĻŋ āĻĒāϰāĻļāĻŽāĻŖāĻŋ
    āĻ•āϰāĻžāĻ“ āϤāĻŦ⧇ āĻ¸ā§āĻĒāĻ°ā§āĻļāĨ¤
    āĻĻā§€āĻĒāĻ•-āϤāĻžāύ⧇ āωāϠ⧁āĻ• āĻ§ā§āĻŦāύāĻŋ
    āĻĻā§€āĻĒā§āϤ āĻĒā§āϰāĻžāϪ⧇āϰ āĻšāĻ°ā§āώāĨ¤
    āύāĻŋāĻļāĻžāϰ āĻŦāĻ•ā§āώ āĻŦāĻŋāĻĻāĻžā§Ÿ āĻ•āϰ⧇
    āωāĻĻā§āĻŦā§‹āϧāύ⧇ āĻ—āĻ—āύ āĻ­āϰ⧇
    āĻ…āĻ¨ā§āϧ āĻĻāĻŋāϕ⧇ āĻĻāĻŋāĻ—āĻ¨ā§āϤāϰ⧇
    āϜāĻžāĻ—āĻžāĻ“-āύāĻž āφāϤāĻ™ā§āĻ•āĨ¤
    āĻĻ⧁āχ āĻšāĻžāϤ⧇ āφāϜ āϤ⧁āϞāĻŦ āϧāϰ⧇
    āϤ⧋āĻŽāĻžāϰ āϜ⧟āĻļāĻ™ā§āĻ–āĨ¤

    āϜāĻžāύāĻŋ āϜāĻžāύāĻŋ āϤāĻ¨ā§āĻĻā§āϰāĻž āĻŽāĻŽ
    āϰāχāĻŦ⧇ āύāĻž āφāϰ āϚāĻ•ā§āώ⧇āĨ¤
    āϜāĻžāύāĻŋ āĻļā§āϰāĻžāĻŦāĻŖāϧāĻžāϰāĻž-āϏāĻŽ
    āĻŦāĻžāĻŖ āĻŦāĻžāϜāĻŋā§Ÿā§‡ āĻŦāĻ•ā§āώ⧇āĨ¤
    āϕ⧇āω āĻŦāĻž āϛ⧁āĻŸā§‡ āφāϏāĻŦ⧇ āĻĒāĻžāĻļ⧇,
    āĻ•āĻžāρāĻĻāĻŦ⧇ āĻŦāĻž āϕ⧇āω āĻĻā§€āĻ°ā§āϘāĻļā§āĻŦāĻžāϏ⧇,
    āĻĻ⧁āσāĻ¸ā§āĻŦāĻĒāύ⧇ āĻ•āĻžāρāĻĒāĻŦ⧇ āĻ¤ā§āϰāĻžāϏ⧇
    āϏ⧁āĻĒā§āϤāĻŋāϰ āĻĒāĻ°ā§āϝāĻ™ā§āĻ•āĨ¤
    āĻŦāĻžāϜāĻŦ⧇ āϝ⧇ āφāϜ āĻŽāĻšā§‹āĻ˛ā§āϞāĻžāϏ⧇
    āϤ⧋āĻŽāĻžāϰ āĻŽāĻšāĻžāĻļāĻ™ā§āĻ–āĨ¤

    āϤ⧋āĻŽāĻžāϰ āĻ•āĻžāϛ⧇ āφāϰāĻžāĻŽ āĻšā§‡ā§Ÿā§‡
    āĻĒ⧇āϞāĻžāĻŽ āĻļ⧁āϧ⧁ āϞāĻœā§āϜāĻžāĨ¤
    āĻāĻŦāĻžāϰ āϏāĻ•āϞ āĻ…āĻ™ā§āĻ— āĻ›ā§‡ā§Ÿā§‡
    āĻĒāϰāĻžāĻ“ āϰāĻŖāϏāĻœā§āϜāĻžāĨ¤
    āĻŦā§āϝāĻžāϘāĻžāϤ āφāϏ⧁āĻ• āύāĻŦ āύāĻŦ,
    āφāϘāĻžāϤ āĻ–ā§‡ā§Ÿā§‡ āĻ…āϟāϞ āϰāĻŦ,
    āĻŦāĻ•ā§āώ⧇ āφāĻŽāĻžāϰ āĻĻ⧁āσāϖ⧇ āϤāĻŦ
    āĻŦāĻžāϜāĻŦ⧇ āϜ⧟āĻĄāĻ™ā§āĻ•āĨ¤
    āĻĻ⧇āĻŦ āϏāĻ•āϞ āĻļāĻ•ā§āϤāĻŋ, āϞāĻŦ
    āĻ…āϭ⧟ āϤāĻŦ āĻļāĻ™ā§āĻ–āĨ¤

    English transliteration:

    Sankha

    Rabindranath Tagore

    Tumar sonkho dulay pode,
    Kamon kore sob’i.
    Batas aalo geko more
    A ki re durdobe.
    Lorbi k aay dobja beye.
    Gaan aache jar ott-na gaye,
    Cholbi jara chal re deye,
    Aay na re Ni-sonkho.

    Dulay pode roilo ceye
    Oi je ooboy sonkho.
    Colechilam pujar ghore
    Sajiye fuler orgho
    Khuji saradiner pore
    Kutay santi-sorgo
    Ebar amra hridoy-khoto
    Vebechilam hobe goto,
    Duye molin chinno joto
    Hobo nis-kolonko.
    Pothe deki dulay noto
    Tumar mohasonkho.
    Aroti-dep ei ki jala.
    Ei ki amar sondha.
    Gathar rokthojobar mala?
    Hay rojonigondha.
    Vebechilam juzajuzi
    Mitiye pabo biram khuji,
    Chukiye diye riner puji,
    Lobo tumar onko.
    Henokale dakbo buji
    Nirob tobo sonko.
    Jouboneri porosmoni
    kora’o tobe sporso.
    Dipok-tane utok dhoni
    Deep praner horsho
    Nishar bokko biday kore
    Uddbodone gogon vore
    Ondo dike digontore
    Jagaw-na aatonko.
    Dui hathe aaj tulbo dhore
    Tumar joysonko
    Jani jani tondra momo
    Roibo na aar chokke.
    Jani srabondara-somo
    Bani bajiye bokke.
    Keu ba chute aasbe pashe,
    Kadbe ba keu dirgosashe,
    Duhsopone kapbe trashe
    Suptir porjonko.
    Bajbe je aaj mohollashe
    Tumar mohasonkho.
    Tumar kache aram cheye
    Pelam sudu lojja.
    Ebar sokol onge cheye
    Poraw ronosojja.
    Beyaghat aasuk nobo nob,
    Aaghat kheye otol robo,
    Bokke amar dukhhe tobo
    Bajbe joysonko.
    Debo sokol sokti, lobo
    Oboy tobo sonkho

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In: āϏāĻžāĻšāĻŋāĻ¤ā§āϝ

āĻ•āĻŦāĻŋāϤāĻžāσ āĻĒ⧃āĻĨāĻŋāĻŦā§€ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Prithibi Poem by Rabindranath Tagore lyrics?

  1. Hridoy
    Hridoy
    Added an answer on September 8, 2020 at 1:25 am

    āĻĒ⧃āĻĨāĻŋāĻŦā§€ āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ   āφāϜ āφāĻŽāĻžāϰ āĻĒā§āϰāĻŖāϤāĻŋ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧋, āĻĒ⧃āĻĨāĻŋāĻŦā§€, āĻļ⧇āώ āύāĻŽāĻ¸ā§āĻ•āĻžāϰ⧇ āĻ…āĻŦāύāϤ āĻĻāĻŋāύāĻžāĻŦāϏāĻžāύ⧇āϰ āĻŦ⧇āĻĻāĻŋāϤāϞ⧇āĨ¤āĨ¤ āĻŽāĻšāĻž āĻŦā§€āĻ°ā§āϝāĻŦāϤ⧀ āϤ⧁āĻŽāĻŋ āĻŦā§€āϰāĻ­ā§‹āĻ—ā§āϝāĻž, āĻŦāĻŋāĻĒāϰ⧀āϤ āϤ⧁āĻŽāĻŋ āϞāϞāĻŋāϤ⧇ āĻ•āĻ ā§‹āϰ⧇, āĻŽāĻŋāĻļā§āϰāĻŋāϤ āϤ⧋āĻŽāĻžāϰ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ āĻĒ⧁āϰ⧁āώ⧇ āύāĻžāϰ⧀āϤ⧇, āĻŽāĻžāύ⧁āώ⧇āϰ āĻœā§€āĻŦāύ āĻĻā§‹āϞāĻžāϝāĻŧāĻŋāϤ āĻ•āϰ āϤ⧁āĻŽāĻŋ āĻĻ⧁:āϏāĻš āĻĻā§āĻŦāĻ¨ā§āĻĻā§āĻŦ⧇āĨ¤ āĻĄāĻžāύ āĻšāĻžāϤ⧇ āĻĒā§‚āĻ°ā§āĻŖ āĻ•āϰ āϏ⧁āϧāĻž, āĻŦāĻžāĻŽ āĻšāĻžāϤ⧇ āĻšā§‚āĻ°ā§āĻŖ āĻ•āϰ āĻĒāĻžāĻ¤ā§āϰ, āϤ⧋āĻŽāĻžāϰ āϞ⧀Read more

    āĻĒ⧃āĻĨāĻŋāĻŦā§€

    āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ

     

    āφāϜ āφāĻŽāĻžāϰ āĻĒā§āϰāĻŖāϤāĻŋ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧋, āĻĒ⧃āĻĨāĻŋāĻŦā§€,
    āĻļ⧇āώ āύāĻŽāĻ¸ā§āĻ•āĻžāϰ⧇ āĻ…āĻŦāύāϤ āĻĻāĻŋāύāĻžāĻŦāϏāĻžāύ⧇āϰ āĻŦ⧇āĻĻāĻŋāϤāϞ⧇āĨ¤āĨ¤
    āĻŽāĻšāĻž āĻŦā§€āĻ°ā§āϝāĻŦāϤ⧀ āϤ⧁āĻŽāĻŋ āĻŦā§€āϰāĻ­ā§‹āĻ—ā§āϝāĻž,
    āĻŦāĻŋāĻĒāϰ⧀āϤ āϤ⧁āĻŽāĻŋ āϞāϞāĻŋāϤ⧇ āĻ•āĻ ā§‹āϰ⧇,
    āĻŽāĻŋāĻļā§āϰāĻŋāϤ āϤ⧋āĻŽāĻžāϰ āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ āĻĒ⧁āϰ⧁āώ⧇ āύāĻžāϰ⧀āϤ⧇,
    āĻŽāĻžāύ⧁āώ⧇āϰ āĻœā§€āĻŦāύ āĻĻā§‹āϞāĻžāϝāĻŧāĻŋāϤ āĻ•āϰ āϤ⧁āĻŽāĻŋ āĻĻ⧁:āϏāĻš āĻĻā§āĻŦāĻ¨ā§āĻĻā§āĻŦ⧇āĨ¤

    āĻĄāĻžāύ āĻšāĻžāϤ⧇ āĻĒā§‚āĻ°ā§āĻŖ āĻ•āϰ āϏ⧁āϧāĻž,
    āĻŦāĻžāĻŽ āĻšāĻžāϤ⧇ āĻšā§‚āĻ°ā§āĻŖ āĻ•āϰ āĻĒāĻžāĻ¤ā§āϰ,
    āϤ⧋āĻŽāĻžāϰ āϞ⧀āϞāĻžāĻ•ā§āώ⧇āĻ¤ā§āϰ āĻŽā§āĻ–āϰāĻŋāϤ āĻ•āϰ āĻ…āĻŸā§āϟāĻŦāĻŋāĻĻā§āϰ⧁āĻĒ⧇;
    āĻĻ⧁:āϏāĻžāĻ§ā§āϝ āĻ•āϰ āĻŦā§€āϰ⧇āϰ āĻœā§€āĻŦāύāϕ⧇ āĻŽāĻšā§Ž āĻœā§€āĻŦāύ⧇ āϝāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰāĨ¤
    āĻļā§āϰ⧇āϝāĻŧāϕ⧇ āĻ•āϰ āĻĻ⧁āĻ°ā§āĻŽā§‚āĻ˛ā§āϝ, āĻ•ā§ƒāĻĒāĻž āĻ•āϰ āύāĻž āĻ•ā§ƒāĻĒāĻžāĻĒāĻžāĻ¤ā§āϰāϕ⧇āĨ¤
    āϤ⧋āĻŽāĻžāϰ āĻ—āĻžāϛ⧇ āĻ—āĻžāϛ⧇ āĻĒā§āϰāĻšā§āĻ›āĻ¨ā§āύ āϰ⧇āϖ⧇āĻ› āĻĒā§āϰāϤāĻŋ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇āϰ āϏāĻ‚āĻ—ā§āϰāĻžāĻŽ,
    āĻĢāϞ⧇ āĻļāĻ¸ā§āϝ⧇ āϤāĻžāϰ āϜāϝāĻŧāĻŽāĻžāĻ˛ā§āϝ āĻšāϝāĻŧ āϏāĻžāĻ°ā§āĻĨāĻ•āĨ¤
    āϜāϞ⧇ āĻ¸ā§āĻĨāϞ⧇ āϤ⧋āĻŽāĻžāϰ āĻ•ā§āώāĻŽāĻžāĻšā§€āύ āϰāĻŖ āϰāĻ™ā§āĻ—āĻ­ā§‚āĻŽāĻŋ-
    āϏ⧇āĻ–āĻžāύ⧇ āĻŽā§ƒāĻ¤ā§āϝ⧁āϰ āĻŽā§āϖ⧇ āĻ˜ā§‹āώāĻŋāϤ āĻšāϝāĻŧ āĻŦāĻŋāϜāϝāĻŧā§€ āĻĒā§āϰāĻžāϪ⧇āϰ āϜāϝāĻŧāĻŦāĻžāĻ°ā§āϤāĻžāĨ¤
    āϤ⧋āĻŽāĻžāϰ āύāĻŋāĻ°ā§āĻĻāϝāĻŧāϤāĻžāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋāϤ⧇ āωāϠ⧇āϛ⧇ āϏāĻ­ā§āϝāϤāĻžāϰ āϜāϝāĻŧ āϤ⧋āϰāĻŖ
    āĻ¤ā§āϰ⧁āϟāĻŋ āϘāϟāϞ⧇ āϤāĻžāϰ āĻĒā§‚āĻ°ā§āĻŖ āĻŽā§‚āĻ˛ā§āϝ āĻļā§‹āϧ āĻšāϝāĻŧ āĻŦāĻŋāύāĻžāĻļ⧇āĨ¤āĨ¤

    āϤ⧋āĻŽāĻžāϰ āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āφāĻĻāĻŋāĻĒāĻ°ā§āĻŦ⧇ āĻĻāĻžāύāĻŦ⧇āϰ āĻ›āĻŋāϞ āĻĻ⧁āĻ°ā§āϜāϝāĻŧ-
    āϏ⧇ āĻĒ⧁āϰ⧁āώ, āϏ⧇ āĻŦāĻ°ā§āĻŦāϰ, āϏ⧇ āĻŽā§‚āĻĸāĻŧāĨ¤
    āϤāĻžāϰ āĻ…āĻ™ā§āϗ⧁āϞāĻŋ āĻ›āĻŋāϞ āĻ¸ā§āĻĨā§‚āϞ, āĻ•āϞāĻžāĻ•ā§ŒāĻļāϞ āĻŦāĻ°ā§āϜāĻŋāϤ;
    āĻ—āĻĻāĻž-āĻšāĻžāϤ⧇ āĻŽā§āώāϞ-āĻšāĻžāϤ⧇ āϞāĻŖā§āĻĄāĻ­āĻŖā§āĻĄ āĻ•āϰ⧇āϛ⧇ āϏ⧇ āϏāĻŽā§āĻĻā§āϰ āĻĒāĻ°ā§āĻŦāϤ;
    āĻ…āĻ—ā§āύāĻŋāϤ⧇ āĻŦāĻžāĻˇā§āĻĒ⧇āϤ⧇ āĻĻ⧁:āĻ¸ā§āĻŦāĻĒā§āύ āϘ⧁āϞāĻŋāϝāĻŧ⧇ āϤ⧁āϞ⧇āϛ⧇ āφāĻ•āĻžāĻļ⧇āĨ¤
    āϜāĻĄāĻŧāϰāĻžāϜāĻ¤ā§āĻŦ⧇ āϏ⧇ āĻ›āĻŋāϞ āĻāĻ•āĻžāϧāĻŋāĻĒāϤāĻŋ,
    āĻĒā§āϰāĻžāϪ⧇āϰ ‘āĻĒāϰ⧇ āĻ›āĻŋāϞ āϤāĻžāϰ āĻ…āĻ¨ā§āϧ āψāĻ°ā§āώāĻžāĨ¤āĨ¤

    āĻĻ⧇āĻŦāϤāĻž āĻāϞ⧇āύ āĻĒāϰāϝ⧁āϗ⧇, āĻŽāĻ¨ā§āĻ¤ā§āϰ āĻĒāĻĄāĻŧāϞ⧇āύ āĻĻāĻžāύāĻŦ āĻĻāĻŽāύ⧇āϰ-
    āϜāĻĄāĻŧ⧇āϰ āĻ”āĻĻā§āϧāĻ¤ā§āϝ āĻšāϞ āĻ…āĻ­āĻŋāĻ­ā§‚āϤ;
    āĻœā§€āĻŦāϧāĻžāĻ¤ā§āϰ⧀ āĻŦāϏāϞ⧇āύ āĻļā§āϝāĻžāĻŽāϞ āφāĻ¸ā§āϤāϰāĻŖ āĻĒ⧇āϤ⧇āĨ¤
    āϊāώāĻž āĻĻāĻžāρāĻĄāĻŧāĻžāϞ⧇āύ āĻĒā§‚āĻ°ā§āĻŦāĻžāϚāϞ⧇āϰ āĻļāĻŋāĻ–āϰ āĻšā§‚āĻĄāĻŧāĻžāϝāĻŧ,
    āĻĒāĻļā§āϚāĻŋāĻŽ āϏāĻžāĻ—āϰāϤ⧀āϰ⧇ āϏāĻ¨ā§āĻ§ā§āϝāĻž āύāĻžāĻŽāϞ⧇āύ āĻŽāĻžāĻĨāĻžāϝāĻŧ āύāĻŋāϝāĻŧ⧇ āĻļāĻžāĻ¨ā§āϤāĻŋ āϘāϟāĨ¤āĨ¤

    āύāĻŽā§āϰ āĻšāϞ āĻļāĻŋāĻ•āϞ⧇-āĻŦāĻžāρāϧāĻž āĻĻāĻžāύāĻŦ,
    āϤāĻŦ⧁ āϏ⧇āχ āφāĻĻāĻŋāĻŽ āĻŦāĻ°ā§āĻŦāϰ āφāρāĻ•āĻĄāĻŧ⧇ āϰāχāϞ āϤ⧋āĻŽāĻžāϰ āχāϤāĻŋāĻšāĻžāϏāĨ¤
    āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āϏ⧇ āĻšāĻ āĻžā§Ž āφāύ⧇ āĻŦāĻŋāĻļ⧃āĻ™ā§āĻ–āϞāϤāĻž-
    āϤ⧋āĻŽāĻžāϰ āĻ¸ā§āĻŦāĻ­āĻžāĻŦ⧇āϰ āĻ•āĻžāϞ⧋ āĻ—āĻ°ā§āϤ āĻĨ⧇āϕ⧇
    āĻšāĻ āĻžāĻ¤ā§ āĻŦ⧇āϰāĻŋāϝāĻŧ⧇ āφāϏ⧇ āĻāρāϕ⧇ āĻŦ⧇āρāϕ⧇!
    āϤ⧋āĻŽāĻžāϰ āύāĻžāĻĄāĻŧā§€āϤ⧇ āϞ⧇āϗ⧇ āφāϛ⧇ āϤ⧋āĻŽāĻžāϰ āĻĒāĻžāĻ—āϞāĻžāĻŽāĻŋāĨ¤
    āĻĻ⧇āĻŦāϤāĻžāϰ āĻŽāĻ¨ā§āĻ¤ā§āϰ āωāϠ⧇āϛ⧇ āφāĻ•āĻžāĻļ⧇ āĻŦāĻžāϤāĻžāϏ⧇ āĻ…āϰāĻŖā§āϝ⧇
    āĻĻāĻŋāύ⧇ āϰāĻžāĻ¤ā§āϰ⧇ āωāĻĻāĻžāĻ¤ā§āϤ āĻ…āύ⧁āĻĻāĻžāĻ¤ā§āϤ āĻŽāĻ¨ā§āĻĻā§āϰ āĻ¸ā§āĻŦāϰ⧇āĨ¤
    āϤāĻŦ⧁ āϤ⧋āĻŽāĻžāϰ āĻŦāϰ⧇ āĻĒāĻžāϤāĻžāϞ āĻĨ⧇āϕ⧇ āφāϧāĻĒā§‹āώāĻž āύāĻžāĻ— āĻĻāĻžāύāĻŦ
    āϪ⧇ āϪ⧇ āωāϠ⧇āϛ⧇ āĻĢāĻŖāĻž āϤ⧁āϞ⧇-
    āϤāĻžāϰ āϤāĻžāĻĄāĻŧāύāĻžāϝāĻŧ āϤ⧋āĻŽāĻžāϰ āφāĻĒāύ āĻœā§€āĻŦāϕ⧇ āĻ•āϰ⧇āĻ› āφāϘāĻžāϤ,
    āĻ›āĻžāϰāĻ–āĻžāϰ āĻ•āϰāĻ› āφāĻĒāύ āϏ⧃āĻˇā§āϟāĻŋāϕ⧇āĨ¤āĨ¤

    āĻļ⧁āϭ⧇-āĻ…āĻļ⧁āϭ⧇ āĻ¸ā§āĻĨāĻžāĻĒāĻŋāϤ āϤ⧋āĻŽāĻžāϰ āĻĒāĻžāĻĻāĻĒā§€āϠ⧇
    āϤ⧋āĻŽāĻžāϰ āĻĒā§āϰāϚāĻŖā§āĻĄ āϏ⧁āĻ¨ā§āĻĻāϰ āĻŽāĻšāĻŋāĻŽāĻžāϰ āωāĻĻā§āĻĻ⧇āĻļ⧇
    āφāϜ āϰ⧇āϖ⧇ āϝāĻžāĻŦ āφāĻŽāĻžāϰ āĻ•ā§āώāϤāϚāĻŋāĻšā§āύ āϞāĻžāĻžā§āĻ›āĻŋāϤ āĻœā§€āĻŦāύ⧇āϰ āĻĒā§āϰāĻŖāϤāĻŋāĨ¤
    āĻŦāĻŋāϰāĻžāϟ āĻĒā§āϰāĻžāϪ⧇āϰ, āĻŦāĻŋāϰāĻžāϟ āĻŽā§ƒāĻ¤ā§āϝ⧁āϰ, āϗ⧁āĻĒā§āϤ āϏāĻžā§āϚāĻžāϰ āϤ⧋āĻŽāĻžāϰ āϝ⧇ āĻŽāĻžāϟāĻŋāϰ āϤāϞāĻžāϝāĻŧ
    āϤāĻžāϕ⧇ āφāϜ āĻ¸ā§āĻĒāĻ°ā§āĻļ āĻ•āϰāĻŋ- āωāĻĒāϞāĻŦā§āϧāĻŋ āĻ•āϰāĻŋ āϏāĻ°ā§āĻŦ āĻĻ⧇āĻšā§‡ āĻŽāύ⧇āĨ¤
    āĻ…āĻ—āĻŖāĻŋāϤ āϝ⧁āĻ—āϝ⧁āĻ—āĻžāĻ¨ā§āϤāϰ⧇āϰ āĻ…āϏāĻ‚āĻ–ā§āϝ āĻŽāĻžāύ⧁āώ⧇āϰ āϞ⧁āĻĒā§āϤ āĻĻ⧇āĻš āĻĒ⧁āĻžā§āϜāĻŋāϤ āϤāĻžāϰ āϧ⧁āϞāĻžāϝāĻŧāĨ¤
    āφāĻŽāĻŋāĻ“ āϰ⧇āϖ⧇ āϝāĻžāĻŦ āĻ•āϝāĻŧ-āĻŽā§āĻˇā§āϟāĻŋ āϧ⧂āϞāĻŋ, āφāĻŽāĻžāϰ āϏāĻŽāĻ¸ā§āϤ āϏ⧁āĻ– āĻĻ⧁:āϖ⧇āϰ āĻļ⧇āώ āĻĒāϰāĻŋāĻŖāĻžāĻŽ-
    āϰ⧇āϖ⧇ āϝāĻžāĻŦ āĻāχ āύāĻžāĻŽāĻ—ā§āϰāĻžāϏ⧀ āφāĻ•āĻžāϰāĻ—ā§āϰāĻžāϏ⧀ āϏāĻ•āϞ-āĻĒāϰāĻŋāϚāϝāĻŧ-āĻ—ā§āϰāĻžāϏ⧀
    āύāĻŋ:āĻļāĻŦā§āĻĻ āϧ⧂āϞāĻŋāϰāĻžāĻļāĻŋāϰ āĻŽāĻ§ā§āϝ⧇āĨ¤āĨ¤

    āĻ…āϚāϞ āĻ…āĻŦāϰ⧋āϧ⧇ āφāĻŦāĻĻā§āϧ āĻĒ⧃āĻĨāĻŋāĻŦā§€, āĻŽā§‡āϘāϞ⧋āϕ⧇ āωāϧāĻžāĻ“ āĻĒ⧃āĻĨāĻŋāĻŦā§€,
    āĻ—āĻŋāϰāĻŋāĻļ⧃āĻ™ā§āĻ—āĻŽāĻžāϞāĻžāϰ āĻŽāĻšā§Ž āĻŽā§Œāύ⧇ āĻ§ā§āϝāĻžāύ āύāĻŋāĻŽāĻ—ā§āύāĻž āĻĒ⧃āĻĨāĻŋāĻŦā§€,
    āύ⧀āϞāĻžāĻŽā§āĻŦ⧁ āϰāĻžāĻļāĻŋāϰ āĻ…āϤāĻ¨ā§āĻĻā§āϰ āϤāϰāĻ™ā§āϗ⧇ āĻ•āϞāĻŽāĻ¨ā§āĻĻā§āϰāĻŽā§āĻ–āϰāĻž āĻĒ⧃āĻĨāĻŋāĻŦā§€,
    āĻ…āĻ¨ā§āύāĻĒā§‚āĻ°ā§āĻŖāĻž āϤ⧁āĻŽāĻŋ āϏ⧁āĻ¨ā§āĻĻāϰ⧀, āĻ…āĻ¨ā§āύāϰāĻŋāĻ•ā§āϤāĻž āϤ⧁āĻŽāĻŋ āĻ­ā§€āώāĻŖāĻžāĨ¤
    āĻāĻ•āĻĻāĻŋāϕ⧇ āφāĻĒāĻ•ā§āĻŦāϧāĻžāĻ¨ā§āϝāĻ­āĻžāϰāύāĻŽā§āϰ āϤ⧋āĻŽāĻžāϰ āĻļāĻ¸ā§āϝāĻ•ā§āώ⧇āĻ¤ā§āϰ⧇-
    āϏ⧇āĻ–āĻžāύ⧇ āĻĒā§āϰāϏāĻ¨ā§āύ āĻĒā§āϰāĻ­āĻžāϤāϏ⧂āĻ°ā§āϝ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻŽā§āϛ⧇ āύ⧇āϝāĻŧ āĻļāĻŋāĻļāĻŋāϰāĻŦāĻŋāĻ¨ā§āĻĻ⧁
    āĻ•āĻŋāϰāĻŖ-āωāĻ¤ā§āϤāϰ⧀āϝāĻŧ āĻŦ⧁āϞāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇;
    āĻ…āĻ¸ā§āϤāĻ—āĻžāĻŽā§€ āϏ⧂āĻ°ā§āϝ āĻļā§āϝāĻžāĻŽāĻļāĻ¸ā§āϝāĻšāĻŋāĻ˛ā§āϞ⧋āϞ⧇ āϰ⧇āϖ⧇ āϝāĻžāϝāĻŧ āĻ…āĻ•āĻĨāĻŋāϤ āĻāχ āĻŦāĻžāĻŖā§€
    ”āφāĻŽāĻŋ āφāύāĻ¨ā§āĻĻāĻŋāĻ¤â€āĨ¤
    āĻ…āĻ¨ā§āϝāĻĻāĻŋāϕ⧇ āϤ⧋āĻŽāĻžāϰ āϜāϞāĻšā§€āύ āĻĢāϞāĻšā§€āύ āφāϤāĻ™ā§āĻ•āĻĒāĻžāĻ¨ā§āĻĄā§āϰ āĻŽāϰ⧁āĻ•ā§āώ⧇āĻ¤ā§āϰ
    āĻĒāϰāĻŋāϕ⧀āĻ°ā§āĻŖ āĻĒāĻļ⧁ āĻ•āĻ™ā§āĻ•āĻžāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻŽāϰ⧀āϚāĻŋāĻ•āĻžāϰ āĻĒā§āϰ⧇āϤāύ⧃āĻ¤ā§āϝāĨ¤

    āĻŦ⧈āĻļāĻžāϖ⧇ āĻĻ⧇āϖ⧇āĻ›āĻŋ āĻŦāĻŋāĻĻā§āĻ¯ā§ā§Ž āϚāĻžā§āϚ⧁ āĻŦāĻŋāĻĻā§āϧ āĻĻāĻŋāĻ—āĻ¨ā§āϤāϕ⧇ āĻ›āĻŋāύāĻŋāϝāĻŧ⧇ āύāĻŋāϤ⧇ āĻāϞ
    āĻ•āĻžāϞ⧋ āĻļā§āϝ⧇āύ-āĻĒāĻžāĻ–āĻŋāϰ āĻŽāϤ⧋ āϤ⧋āĻŽāĻžāϰ āĻāĻĄāĻŧ-
    āϏāĻŽāĻ¸ā§āϤ āφāĻ•āĻžāĻļāϟāĻž āĻĄā§‡āϕ⧇ āωāĻ āϞ āϝ⧇āύ āϕ⧇āĻļāϰ-āĻĢā§‹āϞāĻž āϏāĻŋāĻ‚āĻš;
    āϤāĻžāϰ āϞ⧇āĻœā§‡āϰ āĻāĻžāĻĒāĻŸā§‡ āĻĄāĻžāϞāĻĒāĻžāϞāĻž āφāϞ⧁āĻĨāĻžāϞ⧁ āĻ•āϰ⧇
    āĻšāϤāĻžāĻļ āĻŦāύāĻ¸ā§āĻĒāϤāĻŋ āϧ⧁āϞāĻžāϝāĻŧ āĻĒāĻĄāĻŧāϞ āωāĻŦ⧁āĻĄāĻŧ āĻšāϝāĻŧ⧇;
    āĻšāĻžāĻ“āϝāĻŧāĻžāϰ āĻŽā§āϖ⧇ āϛ⧁āϟāϞ āĻ­āĻžāĻ™āĻž āϕ⧁āρāĻĄāĻŧ⧇āϰ āϚāĻžāϞ
    āĻļāĻŋāĻ•āϞ-āϛ⧇āρāĻĄāĻŧāĻž āĻ•āϝāĻŧ⧇āĻĻāĻŋ-āĻĄāĻžāĻ•āĻžāϤ⧇āϰ āĻŽāϤ⧋āĨ¤

    āφāĻŦāĻžāϰ āĻĢāĻžāĻ˛ā§āϗ⧁āύ⧇ āĻĻ⧇āϖ⧇āĻ›āĻŋ āϤ⧋āĻŽāĻžāϰ āφāϤāĻĒā§āϤ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻšāĻžāĻ“āϝāĻŧāĻž
    āĻ›āĻĄāĻŧāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇ āĻŦāĻŋāϰāĻš-āĻŽāĻŋāϞāύ⧇āϰ āĻ¸ā§āĻŦāĻ—āϤ-āĻĒā§āϰāϞāĻžāĻĒ āφāĻŽā§āϰ-āĻŽā§āϕ⧁āϞ⧇āϰ āĻ—āĻ¨ā§āϧ⧇;
    āϚāĻžāρāĻĻ⧇āϰ āĻĒ⧇āϝāĻŧāĻžāϞāĻž āĻ›āĻžāĻĒāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇ āωāĻĒāϚāĻŋāϝāĻŧ⧇ āĻĒāĻĄāĻŧ⧇āϛ⧇ āĻ¸ā§āĻŦāĻ°ā§āĻ—ā§€āϝāĻŧ āĻŽāĻĻ⧇āϰ āĻĢ⧇āύāĻž;
    āĻŦāύ⧇āϰ āĻŽāĻ°ā§āĻŽāϰāĻ§ā§āĻŦāύāĻŋ āĻŦāĻžāϤāĻžāϏ⧇āϰ āĻ¸ā§āĻĒāĻ°ā§āϧāĻžāϝāĻŧ āϧ⧈āĻ°ā§āϝ āĻšāĻžāϰāĻŋāϝāĻŧ⧇āϛ⧇
    āĻ…āĻ•āĻ¸ā§āĻŽāĻžā§Ž āĻ•āĻ˛ā§āϞ⧋āϞ⧋āĻšā§āĻ›ā§āĻŦāĻžāϏ⧇āĨ¤āĨ¤

    āĻ¸ā§āύāĻŋāĻ—ā§āϧ āϤ⧁āĻŽāĻŋ, āĻšāĻŋāĻ‚āĻ¸ā§āϰ āϤ⧁āĻŽāĻŋ, āĻĒ⧁āϰāĻžāϤāύ⧀ āϤ⧁āĻŽāĻŋ āύāĻŋāĻ¤ā§āϝ-āύāĻŦā§€āύāĻž,
    āĻ…āύāĻžāĻĻāĻŋ āϏ⧃āĻˇā§āϟāĻŋāϰ āϝāĻœā§āĻž-āĻšā§āϤāĻžāĻ—ā§āύāĻŋ āĻĨ⧇āϕ⧇ āĻŦ⧇āϰāĻŋāϝāĻŧ⧇ āĻāϏ⧇āĻ›āĻŋāϞ⧇
    āϏāĻ‚āĻ–ā§āϝāĻž-āĻ—āĻŖāύāĻžāϰ-āĻ…āϤ⧀āϤ āĻĒā§āϰāĻ¤ā§āϝ⧁āώ⧇;
    āϤ⧋āĻŽāĻžāϰ āϚāĻ•ā§āϰāϤ⧀āĻ°ā§āĻĨ⧇āϰ āĻĒāĻĨ⧇ āĻĒāĻĨ⧇ āĻ›āĻĄāĻŧāĻŋāϝāĻŧ⧇ āĻāϏ⧇āϛ⧇
    āĻļāϤ āĻļāϤ āĻ­āĻžāĻ™āĻž āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻ…āĻ°ā§āϧ-āϞ⧁āĻĒā§āϤ āĻ…āĻŦāĻļ⧇āώ;
    āĻŦāĻŋāύāĻž āĻŦ⧇āĻĻāύāĻžāϝāĻŧ āĻŦāĻŋāĻ›āĻŋāϝāĻŧ⧇ āĻāϏ⧇āϛ⧇ āϤ⧋āĻŽāĻžāϰ āĻŦāĻ°ā§āϜāĻŋāϤ āϏ⧃āĻˇā§āϟāĻŋ
    āĻ…āĻ—āĻŖā§āϝ āĻŦāĻŋāĻ¸ā§āĻŽā§ƒāϤāĻŋāϰ āĻ¸ā§āϤāϰ⧇ āĻ¸ā§āϤāϰ⧇āĨ¤āĨ¤

    āĻœā§€āĻŦāĻĒāĻžāϞāĻŋāύ⧀, āφāĻŽāĻžāĻĻ⧇āϰ āĻĒ⧁āώ⧇āĻ›
    āϤ⧋āĻŽāĻžāϰ āĻ–āĻ¨ā§āĻĄāĻ•āĻžāϞ⧇āϰ āϛ⧋āϟ āϛ⧋āϟ āĻĒāĻŋāĻžā§āϜāϰ⧇,
    āϤāĻžāϰāχ āĻŽāĻ§ā§āϝ⧇ āϏāĻŦ āϖ⧇āϞāĻžāϰ āϏ⧀āĻŽāĻž, āϏāĻŦ āϕ⧀āĻ°ā§āϤāĻŋāϰ āĻ…āĻŦāϏāĻžāύāĨ¤āĨ¤

    āφāϜ āφāĻŽāĻŋ āϕ⧋āύ āĻŽā§‹āĻš āύāĻŋāϝāĻŧ⧇ āφāϏāĻŋ āύāĻŋ āϤ⧋āĻŽāĻžāϰ āϏāĻŽā§āĻŽā§āϖ⧇;
    āĻāϤāĻĻāĻŋāύ āϝ⧇ āĻĻāĻŋāύāϰāĻžāĻ¤ā§āϰāĻŋāϰ āĻŽāĻžāϞāĻž āϗ⧇āρāĻĨ⧇āĻ›āĻŋ āĻŦāϏ⧇ āĻŦāϏ⧇
    āϤāĻžāϰ āϜāĻ¨ā§āϝ āĻ…āĻŽāϰāϤāĻžāϰ āĻĻāĻžāĻŦāĻŋ āĻ•āϰāĻŦ āύāĻž āϤ⧋āĻŽāĻžāϰ āĻĻā§āĻŦāĻžāϰ⧇āĨ¤
    āϤ⧋āĻŽāĻžāϰ āĻ…āϝ⧁āϤ āύāĻŋāϝ⧁āϤ āĻŦā§ŽāϏāϰ āϏ⧂āĻ°ā§āϝāĻĒā§āϰāĻĻāĻ•ā§āώāĻŋāϪ⧇āϰ āĻĒāĻĨ⧇
    āϝ⧇ āĻŦāĻŋāĻĒ⧁āϞ āύāĻŋāĻŽā§‡āώāϗ⧁āϞāĻŋ āωāĻ¨ā§āĻŽā§€āϞāĻŋāϤ āύāĻŋāĻŽā§€āϞāĻŋāϤ āĻšāϤ⧇ āĻĨāĻžāϕ⧇
    āϤāĻžāϰāχ āĻāĻ• āĻ•ā§āώ⧁āĻĻā§āϰ āĻ…āĻ‚āĻļ⧇ āϕ⧋āύ-āĻāĻ•āϟāĻŋ āφāϏāύ⧇āϰ
    āϏāĻ¤ā§āϝāĻŽā§āĻ˛ā§āϝ āϝāĻĻāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻĨāĻžāĻ•āĻŋ,
    āĻœā§€āĻŦāύ⧇āϰ āϕ⧋āύ-āĻāĻ•āϟāĻŋ āĻĢāϞāĻŦāĻžāύ āĻ–āĻŖā§āĻĄāϕ⧇
    āϝāĻĻāĻŋ āϜāϝāĻŧ āĻ•āϰ⧇ āĻĨāĻžāĻ•āĻŋ āĻĒāϰāĻŽ āĻĻ⧁:āϖ⧇
    āϤāĻŦ⧇ āĻĻāĻŋāϝāĻŧā§‹ āϤ⧋āĻŽāĻžāϰ āĻŽāĻžāϟāĻŋāϰ āĻĢā§‹āρāϟāĻžāϰ āĻāĻ•āϟāĻŋ āϤāĻŋāϞāĻ• āφāĻŽāĻžāϰ āĻ•āĻĒāĻžāϞ⧇;
    āϏ⧇ āϚāĻŋāĻšā§āύ āϝāĻžāĻŦ⧇ āĻŽāĻŋāϞāĻŋāϝāĻŧ⧇
    āϝ⧇ āϰāĻžāĻ¤ā§āϰ⧇ āϏāĻ•āϞ āϚāĻŋāĻšā§āύ āĻĒāϰāĻŽ āĻ…āϚāĻŋāύ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϝāĻžāϝāĻŧ āĻŽāĻŋāĻļ⧇āĨ¤āĨ¤

    āĻšā§‡ āωāĻĻāĻžāϏ⧀āύ āĻĒ⧃āĻĨāĻŋāĻŦā§€,
    āφāĻŽāĻžāϕ⧇ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ­ā§‹āϞāĻŦāĻžāϰ āφāϗ⧇
    āϤ⧋āĻŽāĻžāϰ āύāĻŋāĻ°ā§āĻŽāĻŽ āĻĒāĻĻāĻĒā§āϰāĻžāĻ¨ā§āϤ⧇
    āφāϜ āϰ⧇āϖ⧇ āϝāĻžāχ āφāĻŽāĻžāϰ āĻĒā§āϰāĻŖāϤāĻŋāĨ¤āĨ¤

     

    InEnglish Font:

    Prithibi

    Rabindranath Tagore

    Aaj amar praṇati grahaṇ karo prthibi,
    Sesh namaskare abanato din basaner beditale..
    Maha biryabati tumi birbhogya,
    Biparita tumi lolite koáš­hur,
    Misrito tumar prakriti puruášŖhe narite,
    ManuášŖher jibon dolayito koro tumi du:Saha dhande.

    Ḍan hate purṇa koro sudha
    bam hate churṇo koro patro,
    tomar lilaketre mukharito koro aáš­áš­abidrup;
    Du:Shadhya koro birer jibanke mahaᚯ jibane jar adhikar.
    Sreyake koro durmulya, kripa koro na kripa patrake.
    Tomar gache gache pracchanna rekheche prati muhurter saṅgram,
    Phale sashye tara jayamalya hoy sarthak.
    Jale sthale tomar khomahin raṇa raṅgabhumi-
    Sekhane mrityur mukhe ghoášŖhita hoy bijayi praṇer jaybarta.
    Tomar nirdayatar bhittite uṭheche shobhyatar joy turaṇ
    Truṭi ghaṭle tar purṇa mullya sodh hoy binashe..

    Tomar itihasher adiparbe danober chilo durjay-
    Se puruášŖh, se barbar, se murh.
    Tar aṅguli chilo sthulo, kola-kausal barjito;
    Goda-hate muášŖal-hate laṇḍabhaṇḍa kareche se samudra parbat;
    Agnite baášŖpete du:shapno ghuliye tuleche Akashe.
    Jar-rajatte se chilo ekadhipati,
    Praṇer ‘pore chilo tara andha irášŖha..

    Debota elen parajuge, mantra parlen danab domoner-
    Jarer aud’dhatya holo abhibhuto;
    Jibodhatri boshlen shyamal astaraṇ pete.
    UášŖha daralen purbachaler sikhor churay,
    Pashim sagaratire sandhy namalen mathay niye santi ghaáš­..

    Namra holo shikole-badha danab,
    Tabu se’i adim barbar Aakre ra’ilo tomara itihash.
    Byabasthar madhye se haáš­haᚯ Aane bisriṅgkholota-
    tomar sbabhaber kalo garta theke
    haáš­hat beriye aase eke beke!
    Tomar narite lege ache tomar pagalami.
    Debatar mantra uṭheche Akashe batashe oroṇnye
    Dine ratre udatta anudtta mandra shore.
    Tabu tomr bore patal theke adhpoášŖha nag danab
    Ne ṇe uṭheche phaṇa tule-
    tar taronay tomar Apan jibke korecho Aghat,
    Charkhar karcho Apan sriášŖáš­ike..

    Subhe-asubhe sthapito tomar padpiáš­he
    Tomar prachaṇḍa sundar mahimar uddese
    Aj rekhe jabo Amar katachinna lanchita jibaner praṇati.
    Biraáš­ praṇer, biraáš­ mrityur, gupta saÃąchar tomar je maáš­ira talay
    take aaj sparsa kari- upalabdhi kari sarba dehe mone.
    Agaṇita jugjugantarer osaṅkhya manuášŖher lupto deho puÃąjito tar dhulay.
    Ami’o rekhe jabo koy muášŖáš­i dhuli, Amar samasta sukh du:Kher seášŖh poriṇam-
    Rekhe jabo e’i namgrashi akargrashi sakal-parichoy-grashi
    Ni:shabda dhuli rashir madhye..

    Ochol abarodhe Abad’dha prthibi, meghloke udha’o prthibi,
    Girisriṅgamalar mahaᚯ maune dhyan nimagna prthibi,
    Nilambu rashir atandro taraṅge kalamandro-mukhora prthibi,
    Annapurṇa tumi sundari, annarikta tumi bhiášŖhaṇa.
    Ekadike Apakkha-dhan’yabhar-namra tomar sashyakhetre-
    Sekhane prasanna prabhat-surya pratidin muche neye sisir-bindu
    kiraṇ-uttariya buliye diye;
    Astagami surya syamasasya-hillole rekhe jay okothita e’i baṇi
    ”Ami Anandito”.
    An’yadike tomar jalhin folhin Ataṅkapnḍur marukhetra
    Parikirṇo pashu kaṅkaler madhye maricikar pret-nritya.

    Baisakhe dekhechi bidyuᚯ chanchu bid’dha digantake chiniye nite elo
    kalo syen-pakhir moto tomar jhar-
    Samasta akashᚭa ḍeke uᚭhlo jeno keshor-phola sinha;
    Tar lejer jhapaᚭe ḍal-pala aluthalu kare
    Hatash banaspati dhulaa parlo ubur hoye;
    Ha’wrer mukhe chuṭlo bhanga kurer chal
    Sikal-chara koyedi-ḍakater moto.

    Abar phalgune dekhechi tomr Atapta dakkiṇ hawa
    Choriye diyeche biraho-miloner shagata-pralap Amra-mukuler gandhe;
    Chader peyala chapiye diye upaciye pareche shargiya mader fena;
    Boner marmardhani bataser spardhaya dhairja hariyeche
    akassatᚯ kallolocchashe..

    Snigdha tumi, hingsra tumi, purtani tumi nitya-nabina,
    anadi sriášŖáš­ir jagga-hutagni theke beriye esechile
    saṅkhya-gaṇanar-atit pratyuášŖhe;
    Tomar cakratirther pathe pathe choriye eseche
    Shata shata bhanga itihaser ardha-lupta abasesh;
    Bina bedanay bichiye eseche tomar barjito sriášŖáš­i
    Agaṇnya bismrtir sthore sthore..

    Jibapalini, Amader puášŖhecho
    Tomar khanḍa-kaler choáš­o choáš­o piÃąjare,
    tar’i madhye sab khelar sima, sab kirtir abashan..

    Aaj Ami kono muho niye Ashini tomar sam’mukhe;
    Etodin je din-ratrir mala gethechi boshe boshe
    tar janno omorotar dabi korabo na tomar dhare.
    Tomar ajut nijut baᚯsar suryapradakhiṇer pothe
    Je bipul nimeášŖhguli unmilito nimilito hoye thake

    tar’i ek khudra angshe kuno-ekaṭ asaner
    Satyamullya jadi diye thaki,
    Jibanera kuno-ekᚭi falban khonḍoke
    Jodi joy kare thaki param du:Khe
    Tabe diyo tomar maáš­ir fuáš­ar ekáš­i tilak amar kopale;
    se cihna jabe miliye
    Je ratre sakal cihna param achiner madhye jay mishe..

    He udashin prthibi,
    Amake sampurṇa bhulbar age
    tomar nirmam padaprante
    Aaj rekhe jai amar praṇati..

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āφāϰāĻ“ āĻĻ⧇āϖ⧁āύ

  • āĻšā§‹āϰāĻŋāϖ⧇āϞāĻž (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Hori Khela Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻŦāĻŋāĻœā§āĻž (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Biggo by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āϏāĻŦāϞāĻž (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Sobola by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āϏ⧁āĻ– āĻĻ⧁āσāĻ– (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Sukh Dukkho by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻĻ⧁āσāϏāĻŽāϝāĻŧ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Dussamay By Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āϰāĻŦāĻŋāĻŦāĻžāϰ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Robibar Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āχāĻšā§āĻ›āĻžāĻŽāϤ⧀ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Ichamati Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻŦāĻžāρāĻļāĻŋ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Banshi Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻ…āĻžā§āϜāϞāĻŋ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Anjali Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻŽāĻžāĻ•āĻžāϞ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Makal Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻšāĻžāϰāĻŋā§Ÿā§‡-āϝāĻžāĻ“ā§ŸāĻž (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Hariye Jaoa Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻĒāϰāĻŋāϚāϝāĻŧ (āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ) Porichoy Poem by Rabindranath Tagore Lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āĻšāĻ āĻžā§Ž āĻĻ⧇āĻ–āĻž | Hothat Dekha Poem by Rabindranath Tagore lyrics
  • āĻ•āĻŦāĻŋāϤāĻž : āϏāĻžāĻŽāĻžāĻ¨ā§āϝ āĻ•ā§āώāϤāĻŋ | Rabindranath Tagore Poem Samanya Khati
  • āĻāϏ⧋ āĻšā§‡ āĻŦ⧈āĻļāĻžāĻ– | Noboborsho Kobita Rabindranath Tagore
  • āĻ•āĻŦāĻŋāϤāĻž : āύāĻŦāĻŦāĻ°ā§āώ⧇ | Noboborsho Poem by Rabindranath Tagore
  • āĻ•āĻŦāĻŋāϤāĻž : āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻž | Prarthana Poem by Rabindranath Tagore in Bengali
  • āĻ•āĻŦāĻŋāϤāĻž : āĻļāĻžāĻšāϜāĻžāĻšāĻžāύ | Shahjahan Poem by Rabindranath Tagore in Bengali
  • āĻ•āĻŦāĻŋāϤāĻž : āĻŽā§āĻ•ā§āϤāĻŋ | Mukti Poem Rabindranath Tagore Lyrics in Bengali
  • āĻ•āĻŦāĻŋāϤāĻž : āĻŦā§āϰāĻžāĻšā§āĻŽāĻŖ | Brahman Poem by Rabindranath Tagore Lyrics in Bengali
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